TASMIN ARCHER – Sweet Little Truths: The EMI Years 1992-1996

In some ways, Tasmin Archer’s work seems like an odd choice to be given the priority box set treatment. For many years, her best selling debut ‘Great Expectations’ was somewhat of a charity shop staple and, indeed, the original album has often obtainable for little more than a few copper coins on the internet’s second hand market. In addition, Archer’s time at the top seemed so brief when compared to some of the other pop heroines of the age. Then again, perhaps Archer’s fleeting moment of genuine stardom makes her the ideal candidate for such a reissue package. For most, she’s only really known as the lady who sang ‘Sleeping Satellite’ – a soul-pop #1 hit that seemed to take on an omnipresent annoyance – but as this set shows, she wrote and recorded better songs during her first few years of stardom. Much stronger and more interesting material than her once hugely popular hit would have you believe.

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ELENI DRAKE – Songs On Sundays EP

A collection of songs that melded jazz melodies with swathes of contemporary soul, Eleni Drake’s debut EP ‘Blue’ had a lot of crossover potential and was a release that lent itself well to evening listening. With a lot of the music straddling the kind of sounds you might find during the softer parts of a Solange Knowles record and the laid-back electronica of Zero 7, it seemed so contemporary for the time of release and promised well enough for a potential follow up.

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THE KING’S PARADE – Mad EP

On their 2017 EP ‘Haze’, The King’s Parade presented a seamless blend of soft rock, blues and soul which captured their myriad of influences quite succinctly. It wasn’t everyone’s cup of tea: some chided the band for being too “easy listening”, but the release gained solid support from listeners who actually understood that not everything has to be ground breaking or edgy. There’s praise enough to be given when music is played well – whatever the style – and throughout ‘Haze’, The King’s Parade truly excelled.

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MATS WAWA – Scuzz EP

NME once described Mats Wawa as having “monster riffs”. It’s clear that NME’s idea of monster riffs and actual monster riffs are two different animals. Kyuss they most certainly aren’t and the chosen title might actually be a tongue in cheek joke, but that doesn’t escape the fact that this 2018 EP from Mats Wawa has some enjoyable moments. Actually, “enjoyable moments” is pretty much an understatement, since three quarters of ‘Scuzz’ is superb.
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