It’s not been long since Oreyeon released their ‘Echoes of Old Nightmares’ single, which re-introduced the Italian doom band to many in classic style. Across that track’s four and a half minutes, the musicians cranked their way through a selection of fuzzy riffs that sometimes sounded like Clutch in a really bad mood, often bringing a melodic charm to their weighty sound. It would be more than fair to suggest the track would appeal to those who love all manner of stoner rock as well as classic doom.
Tag Archives: sludge
Watch: Oreyeon relive ‘Echoes Of Old Nightmares’ in new video
On their 2019 LP, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.
RAVINE – Chaos And Catastrophes
Labelled “extremely brutal” by Eyehategod guitarist/Down drummer Jimmy Bower, Ravine pull no punches when it comes to delivering a heavy riff. The Oregon band’s brand of sludge/doom and hardcore mightn’t reach the insane levels of heaviness set by Byzanthian Neckbeard or Dopethrone, but the best moments on their 2025 release ‘Chaos and Catastrophes’ are on a par with many a great and muddy sounding, riff wielding act.
DRONI EYE OMI – Liminal Mass
When a band opens their album with a track that clocks in at nearly half an hour, you know they aren’t messing around. When it happens to be the first release by an unfamiliar name, you have to wonder if the musicians involved aren’t contemplating career suicide. That said, ‘Chromosphere’ – the huge sound collage that opens the debut album from sonic experimentalists Droni Eye Omi – is absolutely superb.
TURKEY VULTURE – Dead To Me EP
Turkey Vulture’s second EP, 2024’s ‘On The List’ saw the US noise rock duo stretching out. The bulk of the material concerned itself with massive, heavy riffs blending garage rock and sludge metal influences, but in ‘Jill The Ripper’, the intense duo showed how they could apply a clean sound without losing their sinister edge. Showing a more experimental side, the number took influences from dark folk and applied an accordion to give the performance an almost sea-shanty like melody. In its own way, the results were just as devastating as the Vulture’s heavier tunes, but more importantly, it appeared to give their DIY sound an even bigger scope for the future.