SOPHIA MARSHALL – ‘lin-dah’ EP

Kasabian are a huge selling band but, much like Elbow, most of their output hovers somewhere between generic radio filler and just plain dull. The idea of a Kasabian covers EP isn’t necessarily one that should excite: if you love Kasabian – for whatever reason – chances are, you’d want to spin the original tunes; if you hate Kasabian, hearing someone else recycling their often forgettable songs probably isn’t anywhere near the top of your priority list.

The fact that Kasabian are a generic radio filling non-entity didn’t deter singer-songwriter Sophia Marshall. The one time Have-Nots vocalist went to school with three members of the band and uses that as a springboard for her first covers EP of 2018. The cryptically titled ‘lin-dah’ finds the Leeds songstress taking three Kasabian songs and remoulding them in her own image. For something which, on paper, sounds less than pleasurable, the results are…impressive to say the least.
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FERRIS AND SYLVESTER – Made In Streatham EP

Blending various singer-songwriter elements with a UK themed Americana style and more than a touch of adult pop, Ferris and Sylvester’s debut EP ‘The Yellow Line’ was very much a bright spark in 2017. After that release, it seemed to be a case of onward and upward for the duo, with an increasing social media presence and some great reviews for their follow up single – the decidedly pop-oriented ‘Better In Yellow’, released at the end of the year.

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Philip Whitehead explores wintertime blues on new single

Philip Whitehead is a singer-songwriter from London whom over the past year or so has been releasing download independent singles.  His last offering, ‘Paper Man’s Blues’ – released in November 2017 – was his best track to date, being an acoustic track that harked back to the personal nature of Bob Dylan’s classic ‘Girl From The North Country’ [streaming here]

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Listen to Gus Ring’s haunting take on a Dusty Springfield classic

“You Don’t Have To Say You Love Me”.  It’s one of those songs that most people over a certain age know.  Dusty Springfield’s aching ballad is considered a classic, but that doesn’t mean it can’t be re-interpreted.

Enter Gus Ring, a Swedish singer-songwriter.  Gus has taken the basic melody and lyric of the track and stripped it right back.  Now, the desperation within the lyric is almost too hard to take.

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