THE MERCY KILLS – New Rule EP

For Australian rockers The Mercy Kills, there has to be a sense of relief in finally seeing ‘New Rule’ gain a full release. Recorded back in 2010, the EP reached promo stage – a few copies were even handed out at gigs – and then got cancelled. The material then spent the next ten years sitting in someone’s personal archive, always hinting at what could have been.

After finally seeing the light of day via Golden Robot Records (home to Michael des Barres and one incarnation of LA Guns) in 2021, it’s clear that it wasn’t an obvious lack of quality that caused the plug to be pulled prematurely way back when. The five tracks that make up ‘New Rule’ are a little rough vocally speaking, but by and large, are very good: there’s enough of a hard rock edge to please fans of an 80s rock style and there’s even a slightly sleazy undertone that suggests a love of glam. There are also several flashbacks to a more alternative 90s ensuring everything never sounds like a bad 80s throwback. Most importantly, some really fat basslines often give the material a fair amount of muscle. For a DIY release, ‘New Rule’ had – and still has – a fair amount in its favour.

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Big River share new single; hint at big things for second album

Over the past couple of years, Kent based blues rockers Big River have really grown as a band.  Their early singles suggested a lot of musical weight, but not always much long-term substance. That was more than fine for some listeners, obviously; those who love big riffs instinctively seemed to like Big River from the get go and the lads never shirked in terms of commitment.

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Devin Townsend announces “Devolution Series”; begins with acoustic live album

The ever prolific Devin Townsend has announced a series of new releases that he says will be “interesting” but not necessarily something he’d want to present as “a major release”.   The Devolution Series will give fans access to various live materials and more and begins with with an acoustic live set from 2019.

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URIAH HEEP – Salisbury

While it may not always be seen as favourably as some of 1970’s heavyweight hard rock discs, ‘Very ’Eavy Very ’Umble’ marked a more than credible beginning for British rockers Uriah Heep. While the release never troubled the UK album chart, its mix of blues, rock and occasional psychedelic leanings met with a devoted group of music fans. Having found an audience, it would have been easy for Mick Box and his merry band of musicians to knock out a near carbon copy for their second release, but the album that eventually emerged in February 1971 couldn’t have been any more different.

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RYAN ALLEN – What A Rip

Following a handful of ragged but enjoyable albums with his band Extra Arms, Ryan Allen released his most personal work to date in 2019 when ‘Up From Here’ documented his emotional regrouping following a divorce. Essentially punk pop’s answer to Dylan’s ‘Blood On The Tracks’, the record had introspective qualities, but had enough musical clout to entertain the kind of listener that doesn’t listen to lyrics. In short, almost everything about it suggested that Allen had reached full potential as both a songwriter and musician. Then, in quick succession, Allen threw out three more releases containing a barrage of cover tunes and scrappy songs which, in his own words, were “written in a flurry during life in lockdown”. Aside from being keen to move on, it almost seemed as if he wanted to cast aside ‘Up From Here’s musical maturity.

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