Having only just announced the second release in his archive live series of releases, the ever busy Devin Townsend has announced he’ll be releasing a brand new album in 2022 and embarking on a lengthy European tour.
Very little is known about the new album at present, except that recording is underway with producer GGGarth Richardson (Rage Against The Machine / Man Will Surrender) and has the working title of lightwork.
In the meantime, the following live dates have been confirmed, with more to follow later:
Following on from his ‘Acoustically Inclined: Live In Leeds‘ limited release, Devin Townsend has confirmed a second limited edition live album ‘Galactic Quarantine’.
Sourced from various online shows which replaced the ‘Empath’ tour, the new release will be issued as a CD/blu ray release and on 180g vinyl LP.
A full press release sharing all the details, plus a first look via a video clip of ‘Aftermath’ can be found below.
The ever prolific Devin Townsend has announced a series of new releases that he says will be “interesting” but not necessarily something he’d want to present as “a major release”. The Devolution Series will give fans access to various live materials and more and begins with with an acoustic live set from 2019.
Jason Bieler is a vocalist that’ll be best known to many rock fans for being the frontman with Saigon Kick back in the 90s. Never the most consistent of acts, Saigon Kick experimented with various different rock and metal styles over the course of three or four albums, but managed to attract a core of very vocal fans. That love of not being pigeonholed very much informs the material on Bieler’s ‘Songs for The Apocalypse’. In the lead up to release, he likened the record to “Neurosis meets Supertramp” and “Jellyfish playing Barry Manilow covers in the style of Meshuggah”. It sounds like none of those things, and the artist is very obviously trying too hard to be smart, but it’s an impressive work, nonetheless – a record that fuses dark psychedelia with classic hard rock, melodic metal and even a pinch of a nu metal groove. It should appeal to rock fans with broad tastes – and specifically lovers of King’s X, Devin Townsend and bands like Karnivool. What it isn’t is an album that panders to most of the stuck in a rut melodic rock die-hards, despite gaining a release on the Frontiers label.
In 2011, Devin Townsend released his fourth “project” album, ‘Ghost’. A record heard by millions, it combined ambient-ish qualities with a mellow style that showed off a very relaxed side of the man who once gave us skull-crushing metal as frontman with Strapping Young Lad. Around the same time that those millions were getting (rightly) excited about Devin’s ‘Ghost’, somewhere in Northern Ireland, guitarist Andrew Danso had not long finished work on ‘f i n d’, a collection of largely instrumental soundscapes which appeared to share more than a few traits with Townsend’s record, but approached atmospheric music with an even spacier slant. The album, unsurprisingly, slipped under the radar of most of the people who really should’ve heard it, as is the plight of many an independent musician.