Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the past few weeks. This selection is another genuinely mixed bag, sharing – amongst other things – a country track, a dance number, a perfect homage to 90s shoegaze, and a tune from an up and coming rock band featuring a huge vocal. As always, we hope you find something new to enjoy.
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Barely six weeks after the release of ‘Come Morning’, Scotland’s Silver Dollar Room have returned with the immensely powerful ‘Monsters’, a riff heavy number that really shows off their alt-rock sound in the most direct way possible.
The track’s opening rhythm guitar salvo calls back to 90s emo with strong echoes of Shift within the tone. This catches the ear with immediate effect, suggesting that this could be one of the band’s biggest sounding tunes to date. From there, though, ‘Monsters’ grows into something huge; a tune that moves between a few very distinctly different musical passages, eventually peaking with an epic instrumental break, showcasing the band’s heaviest sounds to date.
Formed just before almost the entire world went into a pandemic related lockdown, Orchid Symmetry have released a steady stream of digital singles and a couple of EPs since 2020. The best of the singles, 2022’s ‘Monsters and Demons’ eschewed most of the band’s heavier tendencies in favour of an ominous sounding riff that reworked alternative sounds from the 60s for a contemporary hard rock crowd. Parts of the melody sounded if they were distantly related to ‘House of The Rising Sun’, whilst other elements conveyed the all round moodiness of The Doors and the strange paranoia at the heart of Love’s ‘Forever Changes’. Despite taking various older elements and throwing them into a blender, a very natural vocal and occasionally abrasive guitar tone provided a more contemporary sound and also a very strong link with prior Orchid Symmetry tunes.
During the first half of 2025, The Rockerati made their mark on the rock underground with the help of two excellent singles. The first, ‘Analogue Again’ set a great pub rock sound in place; loaded with solid riffs and a melodic edge that called back to the likes of Rockpile, it showed how the Brighton based act valued great influences more than they valued the notion of perceived “coolness”. That school of thought went into overdrive when the band dropped a bunch of Quo-esque riffs into the great ‘Big Dog’; with a bigger sound in place, the track demonstrated how tough The Rockerati could sound with an increase of both power and volume, and how solid playing will often trump originality.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. In this rather mixed bag, you’ll find old school balladry with an obvious love for Roy Orbison, some great roots rock from the UK, a noisy and slightly avantgarde comeback track, all sitting alongside something clearly inspired by the mighty Mercury Rev. With a folky tune, a solid slab of metal and a number with a light prog influence also present, we hope there’s something here for almost everyone.
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