Welcome back to the Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This selection brings the arrival of a couple of familiar faces under a new name, a moody number from an up-and-coming singer songwriter, a noisy reworking of something very familiar, a brilliant acoustic offering…and more besides. As always, we hope you find something new to enjoy!
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KOYO’s third album, ‘Onism’, (released November 1st) saw the experimental band evolving. The featured material captured many of the complexities of past works, but by introducing a heavier edge in places, the band’s alternative sound embraced more of a post-rock aesthetic. Despite the confident changes and the fact that bits of the material drew from a huge pool of influences, the record proved that KOYO were keen to forge their own musical path.
In an age where people dip in and out of playlists rather than digest full albums, there’s been more of a fashion for alternative rock bands to take a record/release approach to their work. It’s often common to find new “single” tracks on streaming services, only for those not to be followed with anything more concrete. Wolforna have been adding to their catalogue of digital singles since 2019, and although there has been a pleasure in watching them grow as a band, the quick single hits haven’t always given fans much in which to immerse themselves. The blame, of course, lies not with the band, but the quick fix world to which music streamers have become all too accustomed.
As a band, KOYO have always been purveyors of interesting rock music, but trying to pin an easy identity on their sound is a thankless task. On their 2017 debut, they jumped between styles, somewhat gleefully, with the semi-psychedelic ‘Lost In The Kingdom’ playing like a lost Jane’s Addiction track overlaid by bleeping new wave keys, ‘Now I Understand’ sounding a bit like a Charlatans deep cut, and ‘Tetrachromat, Pts. 1 & 2’ dipping its toes into a world of contemporary sounding prog, where a complex arrangement was joined by Hawkwind-esque sax work, creating a trippy feel, augmented by a melodic metal undertone. Their 2020 release (‘You Said It’) saw them experimenting with shorter songs and a punchier sound, but for those willing to invest the time, the best songs still conveyed a sense of adventure, with the title cut blending modern indie sounds and a pinch of post rock crunch. Better yet, the album standout ‘Obelisk’ worked a huge art rock sound, where jerky rhythms collided with huge metallic riffs and trippier passages reminded listeners that the band who’d shared ‘Lost In The Kingdom’ just a few years earlier were still there…somewhere.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time around, in places, things are slightly rockier than usual, but we feel the selection will still present a pleasing variety of artists and styles. There’s a great new number from a hard working British act, a couple of singer songwriters sharing strong hooks, and you’ll also find the return of some familiar faces… It’s time to open your ears and dive in – as always, if you find something new to enjoy, our work here is done!
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