SWING HERO – You’ve Never Been So Alone EP

swing heroHaving gone through multiple lineup changes, Los Angeles based alt-rockers Swing Hero found themselves pared down to a duo by the end 2014. The slim band arrangement has no impact on their sound, however – on the three songs that inform their ‘You’ve Never Been So Alone’ 10” EP (their third record, released at the tail end of the year) Marshall Gallager (guitar/bass/vox) and Ben Scarboro (drums) make a glorious racket.  Their wall of sound is typically retro, pulling a huge amount of influence from both shoegaze and grunge (and outlying subgenres thereof), but always sounds somehow timeless in its execution.

Following a brief buzz of an amp, a drum signifies the arrival of a surprisingly complex slab of grungy alternative rock.  ‘Interest’ shows most of Swing Hero’s talents in a powerful opening number. Starting quietly, the first verse reveals Scarboro to be a player with a great talent, his snares providing much of the interest, while a solemn lead vocal from Gallager bares more than a passing resemblance to Echo & The Bunnymen’s Ian McCulloch with its somewhat dour tone.  Before too long, the temptation to crank the volume takes over and the main guitar riff really asserts its presence.  Adopting a thick, overdriven tone all round, a midpaced, head-nodding, metallic clang just drives its way relentlessly into the ears. Swing Hero are in full flow of their nineties revivalism, but somewhere underneath, there are still strong tuneful qualities.  This surprising attention to melody comes not just in Gallager’s well-rounded delivery – by now risen to present a more powerful rock sound – but also via some unexpected “woo woo” backing vocals lurking somewhere within.  By this time, the general volume of the performance recalls Sonic Youth’s more tuneful output, even if the sounds are less discordant than Thurston and Kim’s preferences.  Fans of post-grunge and shoegaze sounds will find an almost instant kinship in this number.

Despite making a feature of a bass drum, ‘Grown Up’ is much quieter at first, a clean toned guitar tinkling, as various shimmering sounds pitch against another crooned vocal, all very much representing the louder end of the dreampop ouvre.  The band could easy have constructed a full number from the more introspective sounds, but revert to their comfort blanket of distorted guitars for the chorus and beyond.  This is by no means a bad decision – they sound so at ease rocking out after all.  While the vocals represent some of the best performance on this EP – a mix of obvious melody and reverbed harmonies – it’s the instrumental work that really stands out and marks Swing Hero as a band to watch. The use of multi-tracked guitars, effects pedals  and relatively simple bass thuds evoke strong memories of the heaviest parts of The Smashing Pumpkins’ classic ‘Siamese Dream’ and the artier part of the nineties alternative rock scene.   Across five and a half minutes, ‘Home Is Where You Make It’ makes an even broader feature of such crashing riffs and a wall of cymbals, churning a distorted riff in a style slightly slower than expected.  It’s not a great step from ‘Grown Up’ but is a stronger effort overall, thanks to such an insistent hook line. It’s here the EPs title appears, the line repeated as a simplistic refrain intercut with a few old-fashioned “doo doo”s for good measure. It’s a hook that’s so insistent that once it takes hold, its almost entirely possible to forget the rest of the lyrics in an instant.  Whether echoed and shoegazey vocals or grungy guitar riffs are your thing, this track should be earmarked for listening and a possible download purchase.

With a bang up production job, this sounds great with the volume cranked.  It may be more reliant on crunching and droning atmospheres than obvious songs, but Swing Hero push all the right buttons…and with absolute ease.  Quieter and more focused than A Place To Bury Strangers, more tuneful than Yuck and edgier than Yo La Tengo, the three tracks presented on this EP represent the best in guitar-driven, brilliantly loud indie rock.  Recommended.

December 2014

THE 1957 TAIL-FIN FIASCO – Private Jet Flashback

PJFArmed with an unhealthy obsession with Donald Fagen, an admiration for Todd Rundgren and a liking of Badfinger, Malcolm Moore and David Myers (aka The 1957 Tail-Fin Fiasco) set to work in their quest to create proper “pop music for grown-ups”.  With all manner of invented characters and scenarios to share the British duo laboured hard, writing and recording at various locations into the small hours in an attempt to bring results that tipped the hat to their myriad heroes in a most appropriate manner.  Unleashed to an unsuspecting world at the beginning of 2013, their first release ‘Private Jet Flashback’ is a sophisticated work comprising of seven glossy pop/rock ditties.  The results are almost guaranteed to thrill those with a retro ear, a liking of an off-kilter lyric and – perhaps most importantly of all – a craving for tunes that have the kind of love and care afforded to those Steely Dan and 10cc records of yesteryear.

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ROXIE 77 – The Ameriswede EP

ameriswedeRyan Roxie has been an important figure on the hard rock/glam rock scene since the mid eighties.  He first became a cult figure as a member of Candy, a power pop band he joined just before their demise and whose sole album – ‘Whatever Happened To Fun’ – was given a belated CD release in 2012 (stick with your vinyl though – the “remastered” CD sounds genuinely horrible). As Candy morphed into the underrated Electric Angels in 1990 he remained as guitarist, before forming the cheekily titled Dad’s Porno Mag – a Cheap Trick/Enuff Z’Nuff hybrid with some great tunes – nearer the end of the decade.  A huge chunk of his work in the noughties and beyond has been devoted to his own bands Roxie 77 and Casablanca, as well as time spent with the Alice Cooper band.  Following the release of Casablanca’s second album ‘Riding a Black Swan’ – a really solid hard rock affair – Roxie resurrected the long-rested Roxie 77  to record a single.  The writing sessions were fruitful and what was intended as a single quickly became a six track EP.  ‘Ameriswede’ is the result – and it’s a corker.

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RED MEANS RUN – All Things Said & Done EP

red means runA four piece alt-country band from Philadephia, Red Means Run take their name from the Neil Young classic ‘Powderfinger’ and on their debut EP, guitarist Jim McKay adds a couple of solos that have the same carefree/off-key approach of the great man himself.  If you love Neil and his naturalistic style of playing, of course, this is no bad thing…and it certainly suits this ragged quartet’s take on country rock.  Also inspired by Young and the earlier forebears of alt-country these chaps don’t really worry about layers or overdubs – the four songs on this release have a very direct feel, almost as if the band were playing in a bar somewhere.

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