VARIOUS ARTISTS – Harmony In My Head: UK Power Pop & New Wave 1977-81

Back in the 90s, Rhino Records released two compilations celebrating the birth and subsequent explosion of power pop in the US between 1975-1981. Entitled ‘Come Out & Play (American Power Pop 1975-1978)’ and ‘Shake It Up (American Power Pop 1979-1981)’, those discs are an invaluable addition to any power pop collection, introducing many to the works of Pearl Harbor & The Explosions, 20/20 and Earth Quake, alongside more familiar cult recordings by Shoes, Off Broadway, Cheap Trick, Chris Bell and far more besides.

‘Harmony In My Head: UK Power Pop & New Wave 1977-1981’, a 2018 box set from Cherry Red Records exploring the UK power pop and new wave scenes, is every bit as wonderful as those US-centric discs, presenting the popular and familiar alongside some also-rans and bands whom never made the big time.

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FOREVER UNCLEAN – Woof EP

Mixing skate punk, pop punk, melodic hardcore and scratchy 80s indie, Denmark’s Forever Unclean delve into a melting pot of sounds that can turn on a sixpence. It’s will full credit to the band that such a varied sound works as well as it does; if any of the musicians were in any way slack, the tunes on their 2018 EP ‘Woof’ could fall apart in an instant.

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THE RUN UP – Good Friends, Bad Luck EP

The Run Up are five friends from Bristol, always ready to bring the world big riffs and bigger choruses. Their brand of pop-punk is tougher than most, but within the riffs comes a fantastic sense of all things melodic, always allowing great hooks to catch the listener. Their debut album, a self-titled affair from 2017, presented a solid half hour’s worth of material but, if anything, this follow up EP is even better. The short format suggests the band have really streamlined their approach and decided to only share the very best tracks this time around.

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UNIFORMS – Reasons To Breathe EP

Returning from a three year hiatus, Scottish pop punkers Uniforms present quality over quantity on their comeback release ‘Reasons To Breathe’. Its three songs tap into a tough retro punk style, but beneath a gruff and wobbly vocal, you’ll find decent tunes that somehow occupy a space between Swingin’ Utters, Rancid and The Skids, resulting in a sound that has a tight, ringing guitar at almost every turn.

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MILLIE MANDERS AND THE SHUTUP – Shutup EP

Based between London and Norwich, Millie Manders and The Shutup are a cross genre punk/rock/ska band who’s main aim is to hit their audience with big riffs and a bigger attitude. They’re one of those bands that seemingly never stops touring but, naturally, the hard yards put in on stage have made them tighter and tougher with the passing of time. Their 2018 EP ‘Shut Up’ showcases a variety of styles and moods from within the band’s musical canon, but still sounds remarkably coherent. This has much to do with Millie’s big voice – she has a definite presence, even on record – but it’s also down to some great brass; whether delving into straight ska or sounds of a more crossover variety, the horns sound huge throughout.

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