‘Behind The Mask’, J Prozac’s solo EP from 2018, was a short and sharp punk/Ramonescore gem. By pairing a couple of self-penned tunes with covers of well known Tom Petty and Ramones songs, the sometime Prozacs frontman ensured that his extra-curricular endeavour was as broadly appealing as possible. A full length release from The Prozacs swiftly followed in 2019, further cementing the band’s obsessions with Johnny & Joey, before an excellent thirty three track collection (‘Fan Favs & Wannabe Hits’) gave everyone a golden opportunity to take stock of the band’s progress so far. For those outside Massachusetts, there was every chance that such a compilation acted as a welcome introduction to their work.
Tag Archives: punk
TURKEY VULTURE – Twist The Knife EP
Connecticut duo Turkey Vulture know their way around a glorious noise. On their 2020 EP ‘Time To Pay’, they set out their stall with a collection of riffs that combined the drive of punk with the bottom end of stoner metal, topped with layers of extra fuzz for good measure. A particular highlight, ‘Lost At Sea’ sounded like Motorhead cranking their way through Black Sabbath’s ‘Children of The Grave’ augmented by a sea shanty melody and wonderfully scratchy vocal. It’s fair to say that those who got them, loved them.
CITY MOUSE – Magnitude EP
Although they’ve kept up a seemingly relentless touring schedule over the years, City Mouse have never been the most prolific band when it comes to studio work. An enjoyable self-released digital EP in appeared in 2004, but it would be seven more years before they returned to the studio. An excellent four track EP in 2011 was swiftly followed by split releases with The Homewreckers and Weekend Dads, but obviously, these only gave fans brief glimpses of a great band at work.
SELL YOURSELF SHORT – The Lowest Standard EP
Sell Yourself Short first formed as Best Regards in 2016. Various line-up changes and one rebranding later, the New Jersey punks re-emerged bigger and better in 2020 under their new band name. Their debut EP, ‘The Lowest Standard’ features three tracks that bounce between genres but, from a musical standpoint, bring the best out of the trio at almost every turn.
SHOOTING DAGGERS – Manic Pixie Dream Girl / Missandra
Describing themselves as a queercore/feminist hardcore band and taking huge cues from the 90s riot grrrl movement and classic hardcore, Shooting Daggers pull no punches. Initially, their work seems to present something of a sidestep for the New Heavy Sounds label, whose main stock has previously tended to veer towards the doomy, but it really doesn’t take long to realise why they’ve signed this act. On this two track release, their riffs are massively intense; their personal views are as direct and important as the riffs themselves and the messages cannot be – and should not be – ignored. This is a burst of pure, necessary anger; a release that ups the ante for the style, and for the UK hardcore scene as a whole.