Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. We offer a great selection this time around, taking in power pop, something synth based, some retro sounds leaning towards the goth-esque, a massively talented singer songwriter…and more besides. Hopefully, as usual, something new will catch your ear and encourage you to dig a little deeper!
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Between the release of The Beach Boys ‘Pet Sounds’ in May 1966 and the first Woodstock Festival in August 1969, the American rock and pop scenes went into overdrive. With the groundbreaking ‘God Only Knows’, Brian Wilson had shown how grand “pop” could be in the hands of a master; the birth of psychedelia meant that garage rock grew into something much bigger and more interesting than a selection bands churning out variants of ‘Louie Louie’, and the blues morphed into sprawling jams which birthed a generation of guitar heroes. A prolonged period of experimentation arguably reached its peak in 1968, with The Byrds releasing their last works with David Crosby (at least for a time), Moby Grape issuing a double LP (‘Wow/Grape Jam’), the arrival of Spirit’s debut (helmed by the fantastic ‘Fresh-Garbage’), The Velvet Underground’s ‘White Light/White Heat’ proving their Warhol overseen debut wasn’t just some arty fluke, and the Grateful Dead issuing their show piece ‘Dark Star’ as a single. Even Simon & Garfunkel got a little out there on their fourth LP ‘Bookends’, with their masterful folk-pop joined by the vaguely psychy ‘Punky’s Dilemma’, and feeling brave enough to include Art’s audio verité ‘Voices of Old People’ as a key album track.
Welcome back to the Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time around, we’ve mixed the familiar with the new, to bring you something that sounds like a superb tribute to AM radio pop, some contemporary rock sounds, a feel good pop track, a re-working of an old dance classic and more besides. As always, we hope you like what you hear, and discover something new!
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Mark Bacino’s 2010 album ‘Queens English’ saw the US singer songwriter moving away from the perfect bubblegum pop he’d shared on his earlier records, but for those willing to invest the time, it was an album rich in character. With a narrative theme concerning home and family, the material was more mature: ‘Happy’ revisited the sounds of Randy Newman; ‘Muffin’ hinted at a love of Billy Joel, and the title cut opted for something a little more direct with a pinch of 70s glam informing its sound. It was the kind of record that worked best as a whole, and yet could still be cherry-picked.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have appeared in our inbox over the past few weeks. As we approach the middle of 2024, the submissions haven’t slowed down. This week, we bring you a pop laden treat, a couple of melodic punkers, a really great jazz track, an absolutely gold standard offering from a great singer songwriter, and more besides. As always, we hope you find something new to enjoy. If you do, then why not drop by and tell us? We’d love to hear from you…
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