Iron Maiden’s second album ‘Killers’ was released in the UK in February 1981, just ten months after their debut LP. Not so much “born into a scene of angriness and greed, dominance and persecution” as born of haste following EMI’s request for a speedy follow up, it was a “second album” in almost every conceivable sense. Faced with the prospect of having to deliver a new product amid relentless touring, they looked to their archive of already written material and plundered it for all it was worth. Years of honing their sound on the road and the fact the debut included just eight tracks, they found themselves in the fortunate position of having a cushion of material – and while it’s sometimes obvious why some of the tracks were not considered first division material when compiling the debut, Maiden’s “leftovers” were still strong, with some tracks having already become firm fan favourites by the time Steve Harris and company re-entered the studio.
Released in November 1979, Saxon’s self titled debut LP was not the commercial success everyone had hoped for. Perhaps part of the blame could be levelled at Carrere Records – primarily a French disco label – not having the greatest experience of promoting a rock band. Maybe the problem lay with the album itself: while a hugely entertaining listen – especially from an historical viewpoint – it’s somewhat mixed in style. Tracks like ‘Stallions of the Highway’ and ‘Backs To The Wall’ point the way towards the brand of no nonsense metal Saxon would make their trademark, but others like ‘Frozen Rainbow’ have a footing much closer to a1970s almost past, a place where atmosphere and pomp outweighed sheer bluster.
In those days, of course, bands weren’t dumped on the scrap heap by their record labels after a flop, and in Saxon’s case – and ultimately Carrere’s too, since the likes of Ottawan weren’t going to be around forever – it’s a good job. Decamping to Wales, the band set about writing their second album; the record that would change their fortunes and the face of 80s metal forever… ‘Wheels of Steel’.
For British hard rock and metal fans over a certain age, the late 70s and early 80s will always come with a certain rose-tinted viewpoint. Between 1979-82, as part of a scene dubbed as the New Wave of British Heavy Metal, there were a whole slew of superb bands that made their breakthrough. Iron Maiden, Def Leppard, Saxon and Diamond Head are unquestionably the most successful from that time, but other bands like Angelwitch, Praying Mantis and Gaskin scored some well deserved success.
In 1995 the Iron Maiden catalogue was made available as special edition CDs. These briefly available “special editions” didn’t really live up to expectations – each had a bonus disc containing a handful of b-sides that almost every Maiden fan already owned. They were nice to have, especially for those missing a few items in their collections, but hardly special by any stretch. In 2002, the albums were reissued as “definitive remasters”, this time without bonus discs and with an extra track inserted into the running order of the first three releases. Hardly definitive – and to add insult to injury, the sound on these reissues (presumably okayed by Steve “Bomber” Harris) appeared compressed and not always sounding as good as any of the previous issues.
The current line-up of Diamond Head are to play a run of dates in the US/Canada in April. The NWOBHM stalwarts are scheduled to appear at the following venues:
April 10 – Baltimore, MD – Ottobar
April 11 – Wilmington, DE – Mojo 13
April 12 – Brooklyn, NY – Saint Vitus Bar
April 13 – Amityville, NY – Ollie’s Point Place
April 14 – Seymour, CT – Dewy’s
April 15 – Montreal, QC – Foufounes Électrique
April 16 – Quebec City, QC – Coop l’Agité
April 17 – Clarence, NY – Club Infinity
April 18 – Pittsburgh, PA – Dead Horse Cantina and Music Hall
April 19 – Toronto, ON – Hard Luck
April 20 – Lansing, MI – Uli’s House of Rock
April 21 – Chicago, IL – Reggies
April 22 – Cleveland, OH – Peabody’s
April 25 – Long Branch, NJ – Brighton Bar
April 26 – Allentown, PA – Jimmy’s Place