It must be hard having an older brother who is more famous than you. For Powerman 5000’s Spider One – younger brother of the legendary musician and film-maker Rob Zombie – it has meant constantly playing second fiddle in the rock press. Powerman have received some absolutely scathing reviews over the years – and most of them unfair. They’ve recorded some great work. Their ‘Blood-Splat Rating System’ full length (reissued as ‘Mega! Kung Fu Radio’ with the addition of a couple of earlier EP tracks) featured some cracking songs, even if it showed signs of a band still in need of some refinement. 1999’s mega-selling ‘Tonight The Stars Revolt’ remains an alternative metal classic; its riff heavy and hook heavy style could easily go head to head against Rob’s best work, and its sci-fi obsessed lyrics really helped to give PM5K a strong identity. Had the follow up ‘Anyone For Doomsday?’ not been pulled from release at the eleventh hour, the band’s quest for world domination would have been assured, but with shifting line-ups and varying musical styles dominating the next couple of releases, Powerman became very much more of a cult band.
Tag Archives: metal
MOTHS / THE STONE EYE – Split EP
Watch: Stoner band Moths share new video for Sabbath cover
Before the end of August, Puerto Rican stoner metal band Moths will release new material on a split release with The Stone Eye.
The Nine Lives of Metallica
With Metallica having announced ‘S&M Volume II’ in July 2020, we revisited the first recording from 1999 and it was just about as terrible as we remembered. A second volume of Metallica tunes bolstered by a symphony orchestra isn’t necessarily going to appeal to an audience beyond the die hard fans, but then, it’s those die hards who’ve helped keep the band afloat through good and bad over several decades.
On the eve of a new album that’s bound to split opinion, Real Gone takes a look back at the times Metallica missed the mark.
NUCLEAR WINTER – StormScapes EP
Nuclear Winter isn’t a band, but the work of just one man. Even with the usage of programmed drums throughout his 2020 release ‘StormScapes’, Zimbabwean metal musician Gary Stautmeister creates as much intensity as a full compliment of musicians. He’s also been smart enough to program those drums in such a way that they never grate, or worse, make his recordings sound cheap. By using them in a way that creates a genuine mechanical tension, it gives this EP the kind of edge you’d find from an extreme industrial band, or perhaps a technical death metal act that are over keen on the use of bass drum triggers.
