Stoner metal band Blessed Black released their first album ‘Beyond The Crimson Throne’ in January 2020, intending to take the underground metal scene by storm. As history has proved, that year’s arrival of a global pandemic and a total shutdown of the live scene meant that any plans had to be rethought. Despite a very tricky couple of years, that release’s commitment to a riff suggested great things ahead for the band, and this EP length follow up more than makes good on that early promise.
Tag Archives: metal
IMPELLITTERI – Grin & Bear It
Since Impellitteri’s 1988 release ‘Stand In Line’ had seen the band taking a little more of a commercial turn and achieved some success – especially in Japan – it probably would have been a good move for Chris to strike while the iron was hot and record a similar follow up. Since Graham Bonnet was clearly a big part of the album’s appeal, a quick successor to ‘Stand In Line’, again featuring the ex-Rainbow vocalist, could’ve been great. However, it would take Impellitteri four years to return to the studio, by which time Graham had moved on, and could be found making a huge noise with the short-lived/ill-fated Blackthorn.
THE REAL GONE SINGLES BAR #19
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. This popular feature has become a home for eclectic sounds, for jumping between genres, and for shining a light on a few famous, but often not so famous musicians. The variety keeps things interesting, but also gives coverage to a few bands that might not gain a full length album review. This week, we bring you a near perfect piece of adult pop-rock, the return of a retro rock/power pop should-be legend, a Beatle descendent dabbling in electronica, and more besides. As always, we hope you discover something new. If you have something you think might fit a later feature, please get in touch.
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IMPELLITTERI – Stand In Line
The mid 80s saw a slew of guitarists whom, obsessed with the neo-classical chops of Deep Purple/Rainbow guitarist Ritchie Blackmore, foisted upon the world various records that often seemed to do little more than regurgitate Blackmore’s more inventive playing at twice the speed. Yngwie Malmsteen is arguably the best known practitioner of the style and it’s no coincidence that his 1988 album ‘Odyssey’ remains the finest of all his albums thanks to the presence of an ex-Rainbow vocalist, Joe Lynn Turner, on most tracks. Roughly around the same time Yngwie was recording his masterwork, another shredder, Chris Impelliteri had also enlisted an ex-Rainbow voice – Mr. Graham Bonnet – for singing duties on his first full length studio album, ‘Stand In Line’.
RONNIE ROMERO – Too Many Lies, Too Many Masters
Throughout 2022, Ronnie Romero continued his very prolific streak of releasing new material. The year brought four new albums: another studio recording with the brilliant Sunstorm, an album with The Ferrymen, a solo disc featuring some well chosen cover tunes and, not least of all, a titanic piece of metal reuniting the hard working singer with his band Lords of Black. With just two albums released in 2023, it was a quiet year by Romero’s usual standards, but you still have to ask: at what point does having a ridiculous work ethic start to look like a man on a musical treadmill at the behest of his record company?