HER DYING REGRET – Legacy EP

HDR LegacyFollowing an intro that’s very horror-esque with its use of haunting keyboards, marching drums and synth strings, Reading based metallers Her Dying Regret launch into ‘Ashes’ – the first full track from their second release – …and the gloves are off.  With thrashing twin lead guitars and a guttural roar, the band tears into an undeniably great slice of metalcore.  The drums pound relentlessly against a downtuned guitar, topped by a duel vocal of Trivium inspired throatiness and Dani Filth-esque screech.  At the point where it feels as if something will burst, the chorus crashes through with a clean vocal and a very strong melody.  At this point, there’s no doubt that these guys are good players.   Although in a very similar style, the EP’s lead track – and title cut – ‘Legacy’ pulls all of HDR’s best features together, making the best choice for promoting the release.  The melodic chorus – delivered by “clean vocalist” Tom Melville – is among the EP’s best, while the gruff voices – courtesy of Scott London – just teeter on the good side of threatening.  With riffs strongly inspired by classic Killswitch Engage and early Shadows Fall, this is solid stuff indeed.  The twin guitars of Craig Meyer and Dan Osbourne are stellar throughout in their downtuned approach, but it’s Osbourne’s melodic edge that really catches the ear midway.  Following a brief interlude of sweeping notes, as he launches into a brief, yet sharp and clean solo, his playing is reminiscent of something more in keeping with progressive metal.

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REAL GONE GOES OUT: Iron Maiden – O2, London 04/08/2013

When Iron Maiden headlined the UK leg of the Sonisphere Festival in 2011, it was a distinctly underwhelming experience.  Not only were the band too quiet, but since they had a new product to promote (that year’s workmanlike ‘Final Frontier’ album), the setlist represented the rest of the ‘Final Frontier’ tour in that most of their near two hour set was culled from material from the band’s three most current releases.  For those who’d never seen the band before, or the more casual admirer who’d have liked to hear a few more classics, the set was a colossal misfire.  Sure, when you’re a band headlining your own ticketed gig at a large venue, the audience is your audience, they’ll go along for the ride no matter what; but a festival audience is an entirely different beast – much more demanding.  From halfway through Maiden’s set on that particular occasion, people were leaving in droves, wandering off with casual indifference.

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