Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have been submitted over the previous few weeks. This time out, we’ve got a brilliant bluesy number, a track from a singer songwriter who nails a 90s sound perfectly, a couple of poppy numbers and more besides. As always, we hope you find something new to enjoy.
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Formed in 2022, Liverpool’s Detroit Run began their musical journey in a post-lockdown world at a time when a lot of other new bands were taking their first important steps, or a wealth of should have been established acts were rebuilding the momentum they’d lost from two years away from live audiences. The crowded alt-rock scene didn’t stop these lads making an impression, however. Their early singles ‘Maniac’ (2023) and ‘Prototype’ (2024) were flawless showcases for their sound, sharing a driving, riff based approach, augmented with darkwave synths. Both tracks suggested there would be more greatness ahead, assuming the world could keep itself on an even keel.
Vendetta Love have been gradually carving out a place within the rock underground since 2021. The Irish band have released a string of impressive digital singles over the course of four years – not least of all 2024’s ‘Soothe’, an energetic number absolutely loaded with wah-wah guitar work – and a pair of enjoyable EPs, but their first offering for ’25 could just be one of their strongest tracks to date.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time out, we’ve got the return of a much-loved pop band, a laid back narrative piece from a very familiar name, a great synth oriented workout, some huge riffs from the Medway area in South East England…and more besides. As is often the case with the SB, there’s no genre snobbery; just a spotlight on things we’ve found interesting. Hopefully, you’ll find something of interest too.
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A strong case could be made for Robin McAuley’s second solo album – 2021’s ‘Standing On The Edge’ – being one of the finest of the journeyman vocalist’s career. It seemed to hit a sweet spot in terms of melodies, and although the singer’s brand of melodic rock was hardly in fashion at the time of release, his love for the style appeared unwavering. The album’s strong musicianship and big choruses rivalled his earlier associations with the legendary Michael Schenker, and the record’s AOR slant made it a great fit alongside some of their other Frontiers Records releases from that time. Taking influence from Black Swan’s second album ‘Generation Mind’, 2023’s ‘Alive’ took a slightly harder turn musically, but still found Robin in great voice and an enthused mood.