INDONESIAN JUNK – Darkness Calling EP

Recorded in a day during the summer of 2018, Indonesian Junk’s ‘Darkness Calling’ EP presents the sound of a band who’ve finally matured. They sounded incredibly ragged on their debut from just two years earlier; 2017’s follow up ‘Stars In The Night‘ was sharper in almost every respect but stlll hit and miss, but three of the four tracks on this third release make good on previous glimmers of hope and half-promises – musically, Indonesian Junk finally sound like heirs to the New York Dolls and Dictators legacies.

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AIN’T NO JOKE: Real Gone Sampler #9

A yearly tradition, the Real Gone Sampler is one of the most popular things in our calendar. In previous years, we’ve given away great music by Kurt Baker, The 1957 Tail Fin Fiasco and Black Moth. Every year, the project rounds up the very best in DIY acts and aims to get great music out to a new audience.

On occasion, we’ve even been lucky enough to give you two end of year samplers. This year, the download is only one disc long, but we bring you over seventy minutes of underground sounds. We’ve got dream pop, shoegaze, roots rock, garage rock, singer songwriters and a whole bunch more. It could just be the best Real Gone freebie to date.

As always, reviews for each album can be found behind the band name links.

Sleeve art designed by Elena Barrio.

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INDONESIAN JUNK – Indonesian Junk

Whether conjuring memories of  ‘Surrender’ by Cheap Trick – the song from which this US band have taken their name – or Manic Street Preachers’ deliberately provocative 1991 single ‘Motown Junk’ (how many bands would dare to snipe “I laughed when Lennon got shot!” in little over a decade since the former Beatle’s assassination?), there’s something edgy and exciting about the word junk.  Whether meaning trashy or the slang for heroin, it has a certain connotation. However, Indonesian Junk really aren’t as spiky or as confrontational as their chosen moniker suggests. For this Milwaukee based trio, it’s all about the relatively lo-fi, the fuzzy guitars and a general noise rather than any actual sharp edges, either musically or lyrically.

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