WHY SUN – Frugte EP

Copenhagen’s Why Sun bill themselves as a “sleepy noise trio”. To most people, especially those old enough to be absorbed in alternative sounds circa 1986, this translates as “heavy gothic shoegaze with dream pop guitar”. There isn’t anything new in the noises Why Sun create – most of their influences come over like the proverbial sledgehammer – but what they lack in originality, they make up for with absolute conviction.

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Watch the new video from Cathedral Bells

In the first quarter of 2019, shoegazers Cathedral Bells released their self-titled debut EP.  Shamelessly retro, its six tracks mined the 90s for inspiration and delivered a listen that was almost guaranteed to please lovers of bands from the 4AD label.

To further promote that enjoyable EP, the band have now shared a fuzzy, low-budget video for one of its more commercial tracks, ‘Cemetery Surf’.

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The Church to make rare UK visit

Australian rock band The Church will be making a rare visit to UK shores in June 2019.  The handful of scheduled gigs are to celebrate the 30th anniversary of their best known album, 1989’s ‘Starfish’, home to the cult hit ‘Under The Milky Way’.

More info about these reunion shows can be found in the press release below.

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Watch King Black Acid covering Big Star in new video!

In 2017, King Black Acid returned with the ‘Twin Flames’ EP.  Their best recording to date, the new material fused dream pop, prog rock and tinges of Mercury Rev to create a true underground classic.  Later that year, a full length collaboration with The Crystal Unicorn gave the world a record that, although a little uneven, at its very best sounded like the music Flaming Lips had long forgotten how to make.

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CATHEDRAL BELLS – Cathedral Bells EP

A dreampop and shoegaze influenced project helmed by Matt Messore (previously of Dear Tracks), Cathedral Bells’ debut EP isn’t exactly shy about recycling musical influences. With strong elements of the more commercial Jesus & Mary Chain, the synthier and more cinematic aspects taken from The Cure and more than a trace of Pale Saints, its six tracks play like the greatest EP not to be released by 4AD Records in 1990. When influences and moods are recycled as well as they are here, originality is more than welcome to take a back seat as Cathedral Bells join Norway’s Spielbergs in heading up a full-on 90s revival.

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