Rarely was a band more aptly named. It takes about three seconds before this second EP from Australia’s Skullcave sets about caving in listeners’ skulls. These guys not only know their way around an enormous riff, but also know how to make the simplest riffs sound truly frightening.
Tag Archives: doom
1968 – 1968 EP
1967’s supposed summer of love and its psychedelic, swirling colourful world was never going to last forever. 1968, by contrast, was darker and less flamboyant, a time of unrest. Students rioted in Paris, while the psychedelic pop of yesteryear was beginning to wane in favour of harder stuff. Often abreast of the mood of the pop-culture sphere, we only have to look at The Beatles output from this time to get a brief glimpse of the general changes in attitude. In a short time, they’d gone from lush, complex pop to a starker and altogether colder musical mood, a good chunk of the fourth side of their sprawling double set from 1968 devoted to near-impenetrable tape loops and cut-ups. Hendrix, too, had experimented with denser sounds on ‘Electric Ladyland’ than either of his previous two albums, while The Doors’ general circus of dystopia was at its peak. 1968 was arguably the year when pop begat hard rock. Fitting, then, with a whole arsenal of retro sounds at their disposal, that this trio from Cheshire should choose “1968” as their band name. Their sounds look backwards a time when the blues came with a mass of distortion and the world-changing Black Sabbath were lurking just over the horizon.
HERSCHER – Herscher
Herscher are practicioners of a rather mean and lo-fi brand of doom metal, the kind that’s so intense that makes your average doom band sound like they’re gearing up to play a few Boney M covers and then bed down for a late night at about 7pm. On the bulk of this third release, this French trio are so frighteningly robust, it’s a genuine challenge to get through the near forty minute playing time in one hit. Depending on how much you love your doom and sludge, of course, this could turn out to a be a very positive thing.
MY LIFE’S DESPAIR – Invoked With Passion & Pain
Having roots that stretch back as far 1994, My Life’s Despair is a doom and goth metal band centred around drummer/multi-instrumentalist Larshus. Although he spent a decade working with other underground bands somewhere between hatching his original idea for the project and the time of its actual fruition, it’s easy to hear that a lot of thought went into making things more theatrical than your average doom metal band. ‘Invoked With Passion and Pain’ is My Life’s Despair’s first full length and is a surprisingly enjoyable affair with some of the musical ideas showing a defiant sense of grandiosity that befits the album title. Provided, that is, you’re happy to overlook the demo quality of the production, the thin drum sounds (possibly programmed) and just concentrate on the actual material. This is one of those albums whereby it is best not to look at what it is, necessarily, but rather more what the band were aiming for.
LIMB – Terminal
At the beginning of the second quarter of 2014, British doom rockers Limb unleashed their self-titled debut LP. An uncompromising barrage of heavy riffs and gravelly vocals, the London based quartet announced their arrival in a most unsubtle manner and although they were outshone by labelmates Black Moth in terms of doomy goodness, the elpee set them up as a force to be reckoned with and a band upon which everyone should keep a close eye. The subsequent live shows demonstrated an almost boundless fury: aside from their capabilities to bring the noise, one other thing was pretty certain – the next time around, Limb would drop an absolutely killer release.