Hailing from Indiana, Mother of Graves take massive musical cues from My Dying Bride and early Paradise Lost and apply those sounds to the broader musical canvases of the likes of Swallow The Sun. From the off, the material on this debut EP (originally released in 2021) really values huge, dark melodies, but in order for those metallic backdrops to not sound too commercial – relatively speaking – a really abrasive melodic death metal growl has also been applied. This, at least at first, sounds like an act of slight self-sabotage since the bulk of the music would definitely be better suited to a Type O Negative influenced croon. There’s nothing about that voice – even at its most extreme – that will be too off-putting to the hardened doom fan, of course, but it might stop the material appealing to a broader spectrum of metal fans.
Tag Archives: doom metal
ABIURO / FALSE GODS – Split EP
It’s East vs. West on this sludge metal face-off from Doom Fujiyama Records when Japan’s own Abiuro go head to head with New York riff beasts False Gods. Two of the scene’s heaviest bands together on one release automatically ensures a doomy delight, but the stakes are even higher when both acts turn in some of their most immense riffs to date.
TEMPTRESS – See
This debut album from Temptress was a long time coming. The Texan band returned to the studio following the release of their debut EP in 2019, but soon had their work halted by the global pandemic. The album’s recording was finally finished in 2021, after which Temptress signed with Metal Assault Records. Instead of getting the material out straight away, everyone waited until the time was right, and ‘See’ eventually saw the light of day in the first quarter of 2023, over three years on from its inception.
HERON – Empires of Ash
Following a couple of EP releases, Canadian doom/sludge metal merchants Heron found themselves on the roster of bands at the independent Sludgelord Records. The sometime home of Stone Machine Electric, Bible Basher and Coffin Torture, the band would be in good company, and in many ways, associations with such a great label forced them to up their game. Their 2018 LP ‘A Low Winter Sun’ was a masterclass in weighty sounds; its sludge fuelled approach suggested a love of Conan, and it’s purer doom elements drew from Electric Wizard, but for the more finely tuned ear, the record also displayed a strange, deep psych and heavy post rock tone in the guitar work that allowed the extremely heavy sound to appear more cinematic in its own way.
VARIOUS ARTISTS – A Future Of Bad Men: A Melvins Tribute
Few bands have been more influential to the alternative scene than (the) Melvins. Since their arrival in the early eighties, the noisemakers from Washington have forged an uncompromising musical path which has inspired punk and doom metal bands alike. They’ve encouraged many to twist the elements of rock music into unfathomable shapes. Their early work laid the formations for what many consider “grunge”. Somehow, in the mid 90s, they even managed to score a recording deal with a major label, which inspired them to become even more obtuse, first releasing a single that had a lyric in a made up language (‘Hooch’) and promote a slightly later release with a track that included a drawling vocal, a sludge metal riff and an atonal jazz solo played on the trombone. Even more bizarrely, that single (‘Bar-X The Rocking M’) even had its video shown on MTV. The Melvins’ career has taken many forms, and it’s rarely been pretty, but it has never, ever been dull.