Few debut albums are as perfect as ‘Little Earthquakes’ by Tori Amos. Not only is it a recording with barely a note wasted its also a deep and thoughtful experience that leaves the listener emotionally spent upon completion of listening. In under an hour, Ms. Amos takes us on a roller coaster journey of songs that deal with changing weather and changing emotions – songs dealing with self depreciation, of sexuality, self-worth, rape, missed periods, fitting social situations…or not, and far more besides; almost every line dealing with the deeply personal, uncovering parts of the human condition. Right from the beginning of ‘Crucify’ to the last notes of the title track with Amos pleading “give me life, give me pain, give me myself again”, ‘Little Earthquakes’ never lets up.
Tag Archives: deluxe edition
DELUXE EDITION DREAMLAND: UB40 – UB40 (1988)
In September 2010, UB40’s debut album ‘Signing Off’ was afforded a lavish (but reasonably priced) deluxe reissue for its 30th anniversary. In addition to the original album, a three disc set included all the non-album singles in their 12” incarnations and a DVD featuring the promo video clips and each of the band’s UK TV appearances. A thorough job, indeed; the only thing absent was the live clip of ‘Madam Medusa’ from Frejas, 1980 as seen in Miles Copeland’s ‘Urgh! A Music War!’ concert film.
DELUXE EDITION DREAMLAND: Metallica – Metallica (aka The Black Album)
In the late summer of 1991, Metallica unleashed an album that would change their fortunes forever. Their fifth album, a self-titled record lovingly nicknamed ‘The Black Album’ by fans and critics alike, pushed the band from being a successful thrash metal band to the big leagues. The record made them a band with a record that was far broader in appeal and helped by a handful of hit singles, the album went on to sell tens of millions worldwide.
Led Zeppelin: IV & Houses of the Holy Deluxe Editions coming in October
Following the June reissues of the first three Led Zeppelin albums, the next two albums from the band’s catalogue are scheduled for reissue in October.
EDITORIAL COMMENT: Incomplete (or rambling thoughts on collecting from an obsessive music fan)
Right up to the 1980s, things were fairly simple as a music fan. Your favourite bands released singles and albums and, as a loyal fan, you bought them knowing you’d kept to your end of the bargain. Sometimes singles weren’t part of albums and in that case you got something extra. Things started to change in the 1980s when the picture disc started to make regular appearances, thus meaning an occasional extra purchase. Labels like ZTT (run by business-minded Trevor Horn and Paul Morley) were quick to capitalise on marketing strategies – with bands like Frankie Goes To Hollywood, they made sure that different formats had different mixes and different edits. In the case of the fledgling cassette single, they even went an extra step by including unreleased bits and pieces from the cutting room floor, often to fans’ bemusement and eventual delight.
Not everyone was as keen to play the game. Towards the end of the decade, Morrissey – in a spiteful lyrical snide against his then record company’s repackaging of Smiths material – gave us the lyrical legend “reissue, reissue, repackage…re-evaluate the songs, extra track and a tacky badge”. Some bands stuck rigidly to the old model of single release followed by album…and then a couple more singles (often with something extra on the b-side, sure; but once that was done, you knew that was it, at least until the next outpouring of new material in a couple of years).
By the mid-90s, albums would occasionally appear as special editions. This usually involved a bonus disc containing a handful of extra songs (or in the case of The Beautiful South’s excellent ‘Carry On Up the Charts’ anthology, a whole disc of hard to find b-sides) or live material. Another easy choice for the consumer: you chose to buy either the standard release or fork out a few extra quid for that bonus disc – job done, everybody happy. Bon Jovi’s ‘Keep The Faith’ was among the first to mark a shifting tide towards fan-testing, record company greed when the special edition appeared months after the original album’s release. This staggered release ensured almost everyone had purchased ‘Keep The Faith’ already…but would they buy it again? Of course they would – if not everyone, then at least a good proportion of the die-hards would want that extra material. Why wouldn’t they? The floodgates were open.