CAMEL – Earthrise: Live At The Marquee 1974

In 2023, Universal Music released the ultimate in Camel box sets. ‘Air Born: The Decca Recordings 1973-1984’ brought together all of the band’s official releases from their most commercially successful period, and combined them with a wealth of rare and unreleased material. For the fan who must have everything, it appeared to be a beautiful item – especially with new blu ray audio content and surround mixes bringing a new dimension to some much loved tunes.

As is often the case with such a set, a huge price tag would prove a sticking point for those fans without deep pockets. Consolation would soon come from Cherry Red Records, however, who reissued ‘Camel’, ‘Mirage’ and ‘Music Inspired By The Snow Goose’ as deluxe editions (complete with the blu ray content) a relatively short time later.

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VARIOUS ARTISTS – Ring The Bells & Sing: Progressive Sounds Of 1975

Whenever a new, yearly themed box of prog rock cuts gets released by Esoteric Records, genre fans automatically know they’re in for some great listening. Even when their ‘Underground Sounds’ and ‘Progressive Sounds’ anthologies merely recycle a world of album cuts, these affordable multi-disc sets create something that isn’t just well rounded; when approached in the right mood, they’re compilations which are incredibly absorbing. Whether approaching them from a nostalgic perspective or in the hope of discovering something new – hopefully both – these anthologies supply a huge amount of entertainment.

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VARIOUS ARTISTS – Round And Round: Progressive Sounds Of 1974

1973 was something of a banner year for progressive rock. That year, Pink Floyd released their billion selling ‘Dark Side of The Moon’; Genesis released a career best with ‘Selling England By The Pound’; a double whammy from Gong – ‘Flying Teapot’ and ‘Angels Egg’ – cemented their place in the psych-prog underground; both King Crimson and Emerson, Lake & Palmer released albums that would go on to become fan favourites, and Mike Oldfield became an instant national treasure with his ‘Tubular Bells’, despite his Piltdown Man scaring the shite out of a generation of small children.

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PETER BARDENS – Long Ago, Far Away: The Recordings 1969-71

Keyboard player Peter Bardens first achieved wide recognition as a member of UK prog band Camel, but prior to their formation in 1971, he had already taken major steps towards a full time musical career. He was first a member of Peter B’s Looners – a blues and soul band that eventually became Shotgun Express and featured future megastars Mick Fleetwood and Rod Stewart – before joining Irish rhythm and blues band Them in time to record their debut album. By 1969, he’d become a member of the short-lived band Village, which also featured future Sutherland Brothers & Quiver bassist Bruce Thomas, later to achieve genuine stardom as a member of Elvis Costello’s Attractions. For anyone with a keen interest in the history of British R&B, these musical ventures would be enough alone to secure Bardens a place within a pantheon of cult musical figures.

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MARILLION – Live @ Roskilde Festival 1983

For many years, Marillion fans had to make do with the ‘Recital of The Script’ and ‘Grendel/Web’ VHS tapes for their fix of early Marillion live footage.  Thanks to the internet, further footage promoting ‘Script For A Jester’s Tear’ later surfaced, including a brief clip from The Marquee, but this footage from the Danish Roskilde Festival might just be the most exciting yet.

It captures Camel drummer Andy Ward’s brief time occupying the drum stool, making this a vital historical document.  Ward automatically gives the performance(s) a little more energy than Mick Pointer was able (though still not quite enough if Steve Rothery’s expressions are anything to go by on occasion), but anything lacking musically is more than made up for by a ridiculously boisterous audience being tackled by Fish in a fearless mood.

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