VARIOUS ARTISTS – So High I’ve Been: A European Rock Anthology 1967-1973

When it comes to compilations, the UK rock scene of the late 1960s/early 1970s has been covered extensively – to the point of absolute overkill. It’s easy to feel that this is a part of musical history that no longer needs revisiting, just as many “new” articles on The Beatles, the Stones and Queen now border on being digital landfill. With that in mind, it’s always far more interesting when attentions are turned to overseas acts. Cherry Red’s rather excellent set ‘Living On The Hill’ promised “a Danish underground trip” upon its release in 2020 and subsequently did exactly what it said on the tin, giving the keener rock fan three discs’ worth of genuinely unfamiliar sounds from the North, with Blast Furnace being the compilation’s nearest to a “known” name.

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VARIOUS ARTISTS – Living On The Hill: A Danish Underground Trip 1967-1974

Europe’s love of progressive music has been well documented. The Italian record buying market was one of the only territories to take to Genesis before 1973 and The Netherlands’ own mark on the psych and prog genres became legendary thanks to bands like Ekseption, Trace and omnipresent yodellers Focus. Greece bore Aphrodite’s Child which, in turn, gave the world the talents of Vangelis, while the Germans’ own brand of progressive music took a much more experimental turn with Krautrock. Despite being fairly marginal from a commercial, both Kraftwerk and Tangerine Dream were taken to heart by a broad spectrum of UK record buyers in the 70s.

 Despite so many different progressive subgenres breaking into the album charts from and wide, the Scandinavian contingent got far less of a look in. Sweden’s Kaipa latterly became one of the best known exports thanks to Roine Stolt’s later success with The Flower Kings and Anglagaard were loved by a few die hards, but outside of John Peel’s influence, Scandinavian prog never really found a true champion in the 60s and 70s or scored any genuine chart action.

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