Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. This time, we bring you a selection of rock tunes, a slab of melodic punk from Australia, and an indie/disco crossover that’ll be hard to beat. As always, we think this represents a great selection of current musical treats, and hopefully you’ll discover something new.
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Metalcore act Lycanthrope have been active within the Australian metal scene since 2014, and in the couple of years prior to the Covid-19 pandemic, they’d built upon a massive sound that made them seem absolutely unbeatable.
Formed during the pandemic restrictions of 2021, The Prize are promoted as a power pop band, but those looking for a world of Jellyfish and McCartney inspired throwbacks should be forewarned that this band really don’t indulge in that kind of perfection or sugariness. There is a power pop heart to their sound, but it’s far more indebted to bands like The Nerves (of ‘Hanging On The Telephone’ fame) and The Real Kids, occasionally fused with the more melodic end of The Buzzcocks’ output. With a pinch of early Flamin’ Groovies and the occasional nod to fellow Aussies The Saints to be discovered along the way, this debut EP stirs up a world of energy, but matches the spiky riffs with massive, catchy hooks at every turn.
The name Davey Lane might not mean much to a huge amount of people in the UK, but the Aussie musician has been more than prolific over the years. In the 90s, he was a key member of rock band The Pictures before joining You Am I in 1999. In more recent times, he’s carved out a solo career, played on albums by Jimmy Barnes, The Saints’ Chris Bailey, and also appeared on recordings by Robyn Hitchcock. He’s worked with the legendary Todd Rundgren, and even toured with Crowded House. He’s the archetypal go-to guy; a face you don’t necessarily know, but one that has always been there.
Based in Queensland, Slaves of Dissonance are a great addition to the Aussie metal scene. On their debut EP ‘Toxoplasmosis’, the riffs come with the heaviness of Lamb of God, the pneumatics of late period Death and Periphery, and even a smidgeon of TesseracT’s artiness, to create something that’s interesting and occasionally challenging, but somehow always familiar. On that score, its a release that pushes all of the right buttons.