This visit to the Real Gone Singles Bar sees the return of a couple of familiar names – including one that should be known to almost everyone. The choice of music, of course, should be new to most people’s ears. We’ve got a well arranged indie pop number, some fantastic sounding goth-rock, another country tune from a brand new face, and even a really strong world music offering. With tunes covering a broad spectrum of sounds, we hope you’ll find something new to enjoy!
*
In November 2024, Ria Aursjoen released her solo debut, the excellent ‘Strand’ EP. Although the material shared some common links with the artist’s band Octavian Winters, the six songs explored a lighter sound in places. With Ria adding elements of folk and dreampop to her rocky sound, the EP very much captured an artist sounding a little more mature.
2024 was a great year. Real Gone celebrated its fifteenth anniversary. It was the website’s most successful year to date. We picked up a lot of new supporters and covered a wealth of new music. Our detailed reviews continued to be popular with the readers, and our Singles Bar really caught the attention of those looking for a quicker fix of new music.
It’s been another great year at Real Gone. We’ve reviewed countless albums and EPs. We’ve covered a record number of gigs (with Simple Minds and Deacon Blue being particular standouts), and gained support from a wealth of new labels and PR teams. It’s also been the first full year online for our popular Singles Bar – allowing us to take a look at various individual tracks and submissions – which has provided a massive extra stream of traffic.
It’s been a superb twelve months for music, and it’s time to shine a light on the many talents we feel have helped to make our site interesting. We’ve featured a wealth of new stuff. As usual, rock has provided the backbone of Real Gone’s musical interests, but we’ve really gone all out to try and promote some of the most interesting things from other genres, which has made picking favourites a little harder this year.
Ria Aursjoen will be familiar to some people via her work with Octavian Winters, a band whose recordings offer a more accessible take on gothic and symphonic rock sounds. Musically, the band’s love of an 80s sound is offset by a more contemporary darkness, but whatever route their arrangements take, its often Ria’s voice that’s the big musical draw. With that in mind, this solo EP comes as a very welcome addition to her catalogue. The first release under the Aursjoen name retains a haunting and sometimes gothic atmosphere in places, but much of the material conveys a different mood, often leaning further towards influences from folk and alternative pop, allowing Ria more space to share a dark beauty.