Khymera are an example of a band with a fairly fluid existence. Originally formed as a project for Italian musician Daniele Liverani and sometime Kansas man Steve Walsh, they gained a following despite not always being as impressive as Walsh’s Streets, or hitting the highs of another band from the Kansas family tree, the mighty Seventh Key. Walsh only appeared on the debut LP, subsequently handing lead vocal duties over to Pink Cream 69 man Dennis Ward for the next two releases – works that seemed well respected within the AOR community.
Tag Archives: aor
BLOOD RED SAINTS – Speedway
Vocalist Pete Godfrey first came to the attention of the melodic rock community as frontman of the short-lived (but very promising) In Faith. Realising that being part of a full band would have better career prospects, he formed Blood Red Saints with Rob Naylor (previously of Angels Or Kings) and then enlisted the talents of Gary Hughes’s sometime guitarist Lee Revill. The result is a debut album with some hugely enjoyable melodic hard rock tunes – tunes that constantly hark back to the golden age of 1985-1989 – which should very much appeal to a cross-section of melodic rock buffs.
BILLY SHERWOOD – Citizen
In 2015, multi-instrumentalist Billy Sherwood found himself ahead of a rather daunting task. He was hand picked by his close friend, Mr. Chris Squire, to be the bass man for progressive rock legends Yes, after Squire – founder member and only constant – discovered his ongoing fight against leukemia would soon be lost. It was obviously a job he’d would rather not have, but given the circumstances, he was the most obvious and sympathetic choice. In many ways, the only choice. Sherwood’s links with Yes go back a long way, of course: he’d previously been involved with the band in an on/off role since the turn of the 90s, if anyone could fill the void and at least have half a chance of fan acceptance, it would be Billy Sherwood. Looking back even farther, Sherwood’s own music with Lodgic and World Trade had showed parallels with the more commercial sounds of Yes. The 1989 World Trade debut, especially, often sounded like the album Yes might have unleashed after ‘Big Generator’ had they continued along the shiny, techy, AOR-prog path.
SHAFT OF STEEL – Shaft Of Steel EP
In an age where so many melodic rock discs seem to suffer from average production values, it’s a pleasure when one comes along that sounds almost as sharp as those great releases from the late 80s. Although only an EP, this debut release from London based Shaft of Steel is a bright and shiny affair where everything crunches in the way melodic rock always should, with its four songs delivered with plenty of enthusiasm.
BEAUVOIR/FREE – American Trash
1992 saw the launch of Now & Then Records, a small independent label specialising in melodic rock. Although the UK label’s time was brief, over the course of their lifespan, the label released the best AOR of the era. Gaining the rights to a few tapes that had otherwise sat gathering dust in record company vaults, they released records by Jeff Cannata, Mark Free and Takara, a band fronted by the now legendary Jeff Scott Soto. Among the label’s other early releases was the Crown of Thorns debut, a band uniting singer-songwriter Jean Beauvoir previously of Voodoo X and the Plasmatics with guitarist/songwriter Micki Free, previously of the rather more unlikely Shalamar. One of the all-time great debuts of rock, the record brought killer melodic rock track after killer melodic rock track in a way that few had managed since 1987, and choruses that represent the finest AOR melodies. Decades on, ‘Crown of Thorns’ is a recording that never pales in its appeal.