NORMAL FOX – The Boy Who Couldn’t Change Anything EP

normal fox epWisconsin’s Normal Fox bill themselves as sounding like “the best summer you ever had”. The music doesn’t always instantly have a summery feel, but there are times throughout their 2013 EP release ‘The Boy Who Couldn’t Change Anything’ where the four musicians sound like they’re having a fantastic time playing music – and that in itself is probably enough to justify such claims, no matter how you’d personally choose to soundtrack your own (hopefully) sun-filled vacation time. On the surface, they sound like just another alt-rock/emo band, but as these five songs clearly demonstrate, at least one member of the band has broader musical interests than first appears.

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PLASTIC RHINO – Recondition EP

plastic rhinoUS alt-rockers Plastic Rhino mean business on their second release ‘Recondition’, as they celebrate a trashy hard rock sound with a nineties slant. Bringing back riffs from a (mostly) pre-grunge world, there’s a retro quality, though surprisingly, given the potentially disposable feel of some of the material, there’s a defiant steering away from the more obvious glam roots. Each track is loaded with a tough riff and often a strongly suitable melody, but those riffs are rarely pivotal in making Plastic Rhino’s material hit with a sizable punch, it’s never really Jack Glazer’s guitar playing that leaves an indelible mark. His playing is rhythmically solid without any hint of flashiness, for it doesn’t need an overt flair; the winning factor throughout these seven songs is frontwoman Atara Gottschalk (ex-Luxx), a performer who approaches each performance with consummate ease, whether called upon for something gritty, slightly unnerving or a more obvious rock wail.

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SIRS&MADAMS – Sirs&Madams

sirs&madamsBrooklyn’s Sirs&Madams is very much a band of two distinct moods. On this debut release, when not laying down thoughtful pastel sounds with an alt-folk leanings, they’re tearing it up via some chunky and melodic indie rock workouts. While this perhaps might sound a little too broad stylistically speaking, they have one absolute constant. Whether rocky or rootsy, the bulk of the material is held together by some truly outstanding performances from frontwoman Laura Gwynn. Her voice, a confident, belting array of sounds with a sheer melodic edge cutting through at all times, is one of the finest voices to appear on the DIY music scene for a very long time. It’s one of those voices that has such power, she could sing almost anything and make it sound utterly spellbinding.

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MY CRUEL GORO – My Cruel Goro EP

MCGA multi-national trio of joyous noisemaking intents, the oddly named My Cruel Goro bring loud guitars and a boundless energy that’s potentially appealing to those who found themselves glued to the pages of Britain’s NME music rag back in the mid 90s. Perhaps not the guys who fervently followed the Blur vs Oasis spats, or those who patiently awaited news of the next Echobelly tour or were just casually looking to see if editorial policy meant that Morrissey was out of favour that week; more those readers and listeners who looked forward to new releases from Superchunk and were keenly following the progress of Ash’s recording career. Indeed, for those who still get a kick out of Ash’s noisier material – ‘Darkside Lightside’ etc – the three songs which make up this release should bring both a nostalgic charm and a sense of relief that a musical influence that’s some twenty years gone at the time of this release could still sound so vibrant.

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