When most people think of black metal, they think of Scandinavian bands with unreadable logos. They’re also likely to think of harsh sounding albums with particularly trebly production values and material topped with hissed and retching vocals, often with absolutely brutal lyrical content. Manchester’s Burial certainly tick some of those boxes, but their third release ‘Rejoice In Sin’ is, thankfully, blessed with a bigger, more professional sound than many of their Scandinavian forefathers and key influences. This, at least, makes for an album that’s far more listenable on a technical level.
FRAGMENT SOUL – Galois Paradox
Although billed as a prog metal band, Greece’s Fragment Soul are a world away from the genre’s typical Dream Theater and Threshold wannabes. On their 2024 EP ‘Galois Paradox’ they share a metal based sound that’s atmospheric and gloomy; a sound that shares parallels with a few of prog metal’s moodier traits, but at the same time, dares to be quite different. Although the release is short at just twenty seven minutes, the material still finds time to focus on various themes that link the tracks together as a whole: hope, love, loss, and “the chaos of thought” – although in this case, the shared concepts do not necessarily make this an obvious “concept” piece with a narrative flow. The songs can be enjoyed individually, and in some ways, are actually better when approached in such a way.
JOHN DOUGLAS – Still Or Sparkling? EP
In 2023, Trashcan Sinatras frontman John Douglas released his long awaited solo debut. Rooted in acoustic based material, the eponymously named record allowed fans to experience a much more introspective performer. This follow up EP finds the musician branching out just a little – with the help of friends Boo Hewerdine, Eddi Reader and others – but the material still retains a very sophisticated singer-songwriter approach, which fans mightn’t associate with his better known band work.
Ember Belladonna shares new video for ‘The Grove’
Ember Belladonna’s debut album ‘The Grove’ is one of 2024’s more interesting metal releases. Promoted under the folk metal banner, the bulk of the material takes the cult subgenre beyond its typical remit. Ember isn’t interested in assaulting her audience with massive jigs – as per those pioneering Skyclad records – and her material doesn’t venture into the black metal infused extremes of a band like Northern Oak. Her take on folk metal comes from a much purer place where gothic metal riffs prop up some fantasic new age melodies, often with Ember’s flute work at the forefront.
THE REAL GONE SINGLES BAR #79
Welcome back to the Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This selection brings the arrival of a couple of familiar faces under a new name, a moody number from an up-and-coming singer songwriter, a noisy reworking of something very familiar, a brilliant acoustic offering…and more besides. As always, we hope you find something new to enjoy!
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