Half Canadian, half Australian pop duo The Trip have released a new video clip to promote their new single ‘Find a Way’. The sights of sunny Brazil and skateboarders are just the antidote for this particularly grim UK spring.
ARMCHAIR COMMITTEE – Imola EP
Recorded at Oxford’s Courtyard Studios in late 2012 with Band of Skulls producer Ian Davenport at the helm, ‘Imola’ – the debut EP from Bristol trio Armchair Committee – is immense. During its playing time of just under sixteen minutes, the band waste no time in grabbing the attention. The riffs are laid on thickly, while other more atmosphere driven elements are often delivered with a layer of distortion for good measure.
Black Country Communion RIP
Following blues guitarist Joe Bonamassa’s decision to move on from Black Country Communion, it appears the band have been officially dissolved. Bonamassa has not granted permission for his other bandmates – vocalist/bassist Glenn Hughes, drummer Jason Bonham and keyboard player Derek Sherinian – to continue without his involvement.
N.O.W. – Bohemian Kingdom
Under the creative guidance of bassist Alec Mendonca and boasting the vocal prowess of ex-Unruly Child vocalist Philip Bardowell, N.O.W.’s 2010 debut album ‘Force of Nature’ had the makings of an cult AOR classic. It had the well arranged tunes; it had some strong choruses. On the surface, the album had the potential to be very good, but was sadly marred a little due to demo quality recordings (parts of the album were even mastered at different volumes).
DETROIT REBELLION – Fork In The Road EP
This release from Rhode Island’s Detroit Rebellion offers four tunes of garage blues with a cool, live in the studio sound. While the simplistic approach at the heart of the subgenre usually relies on plenty of slide guitar antics with which to engage the audience, these guys are a little different. Yes, they have slide guitar, but it doesn’t always provide the dominant feature. They may not have the upbeat rock ‘n’ blues grooves of Black Pistol Fire; nor do they ever go for the jugular in the way that first two Dead Exs records do, but in their understated way, these four tunes have their own sense of attitude, something heightened further by the basic recording techniques.