In the early 80s, rockabilly music had a real resurgence. While Brian Setzer and The Stray Cats represented the commercial side of things, a year or two from their breakthrough, they were just one of about a hundred upright bass slappin’, retro haired combos tapping into a musical past. Boz Boorer’s Polecats, The Meteors and many others were making noises and The Klub Foot club became a hive of activity for fans seeking out these high energy sounds. 1982 also saw the formation of The Long Tall Texans.
FUTURE TALK – The Path That Sadness Paved EP
2015 saw a lot of alt-rock bands with a slight emo slant breaking through, particularly in the UK. Few are as impressive as Gloucestershire-based quintet Future Talk, a band whom seem to recognise that huge melodies are equally as important as musical prowess. The band’s appeal is also very much helped by the fact that the four songs on their ‘The Road That Sadness Paved’ EP have less of the sheen and fewer vocal filters than is often associated with acts of a similar style.
EXTERMINAS – Dichotomy
On ‘Dichotomy’, Exterminas’ third release – their second full length – the Italian extreme metallers take the basics of black and death metal sounds and shake them by their foundations. The guitars and drums still attack at lightning speed, the voice – if it could be called as such – veers towards the rather typical growl, and yet there’s something within these eight tracks which suggests at least one band member has a couple of musical interests within the classical sphere. You won’t find any orchestrated parts, though; that sense comes rather more from the way the guitar riffs occasionally leap from the more typical speed and into intricate tunes that sound as if they’ve been mangled from melodies centuries old.
BIGG – Lock Up Your Daughters EP
Risen from the ashes of Beat Magnets – a band who played at festivals and scored support slots with The Wombats – comes Bigg, a loud, guitar driven creation from Reading. Aside from influence from various UK indie bands, their debut EP brings a surprising amount of crunch and sometimes a heaviness that might just find them wandering into the worlds of other listeners previously not reached by Beat Magnets. Their music, although often accessible, sometimes has the same kind of hard and sulking attitude that’s present in their publicity photos for the release, where at least one member has decided on a facial expression that suggests someone has popped his favourite balloon.
SONS OF PROVIDENCE – A Conscious End To Suffering
Looking at the minimalist artwork and bleak choice of title, you’d be forgiven for thinking this 2015 release from Arizona’s Sons of Provedence would be a doom metal affair, but straight up doom metal it very much is not. For this release, the three piece band twist in all manner of directions, from chunky metal, electronica and goth sounds, through stuff that sounds almost Nick Cave esque… While the music can change wildly from track to track – and often within those tracks – the overarching theme of the album is exceptionally dark.