THE BLACK HALOS – Geisterbahn II EP

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When you think about Canadian punk, there are a few names that instantly spring to mind. NoMeansNo and D.O.A. are the most famous of punk’s first wave; Comeback Kid and Cancer Bats are among the top tier of the twenty first century crop. Whilst Propagandhi are arguably the most famous exponent of Canadian punk in the 90s, The Black Halos made an impact in Vancouver between 1993-2009 – enough to get signed to the then very much in vogue Sub Pop label and to work with legendary producer Jack Endino.

The Black Halos looked more towards Johnny Thunders, New York Dolls and The Stooges for their core influences – something which, during that period, was very much a sidestep from the usual Ramones or hardcore influences dominant in the punk scene. The love for trashy rock so obviously helped guitarist Rich Jones become a natural fit with Ginger Wildheart’s band upon his relocation to the UK after the band’s split.

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Real Gone’s End of Year Round-Up, 2019

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It’s been a great year at Real Gone. Not only did the website celebrate its tenth birthday, but we got more requests and submissions for review than ever! This year, everything felt like it had truly come together and paved the way for the next phase of the website’s lifespan.

This year, Real Gone received hundreds upon hundreds of review items and digital streams. Obviously, there isn’t enough time to review everything…but from the mountain of stuff we got to listen to and review, there was a lot of great music.

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JATK – JATK EP

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JATK is a DIY project fronted by singer songwriter Matt Jatkola that celebrates the louder end of the power pop spectrum. The three piece band love distortion and fuzz almost as much as they love a sun-filled retro hook and the result is, perhaps, one of the noisiest power pop discs since The Genuine Fakes released ‘The Striped Album’ back in 2011.

Beneath the layers of guitar and fuzz are four absolutely cracking songs. Tunes that evoke the kind of excitement you first felt when you dropped the metaphorical needle on a Beat Angels or Ryan Roxie album for the first time. The kind of unbridled joy you feel from playing The Wildhearts’ ‘Vanilla Radio’ at full volume exists within at least a couple of these songs…and that feel-good quality is obvious from first play. Subsequent spins only confirm what you suspected within the first minute or so of hearing this band for the first time. Yes… Power pop fans should be aware that this is potentially that good.

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REAL GONE GOES OUT: The Wonder Stuff – Shepherd’s Bush Empire, London 13/12/2019

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It’s approximately 8.25 at the Shepherd’s Bush Empire. Jim Bob has not long finished an excellent acoustic set and Alice Cooper is bellowing ‘Hello, Hooray’ across the PA system. Whether or not this choice of between set music has been chosen deliberately or is just a welcome coincidence remains to be seen. However, its lyric concerning letting the show begin and pulling in the audience is certainly apt. Tonight, the near capacity crowd are very keen…and – in some cases – especially so, since they’ve got a good idea of the night’s set list. Stourbridge’s finest, The Wonder Stuff, have promised that their first two albums – 1988’s ‘The Eight Legged Groove Machine’ and 1989’s ‘Hup’ – will be played in full. These are albums that still mean the world to most of The Stuffies’ loyal fanbase. They’re also albums that have the potential to be enjoyed by listeners who might not have connected with them that first time around. More than just nostalgia, the coming set is automatically geared towards fantastic songs. High spirits and a lot of crowd singing are both guaranteed.

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