Put together at the suggestion of Frontiers Records as a classic rock vehicle to display the talents of legendary rock vocalist Joe Lynn Turner, Rated X is a heavy rock supergroup whose sound is – somewhat unsurprisingly – heavily indebted to Rainbow and mid-80s Deep Purple. As an ex-member of Rainbow, Turner is one of a few who can lay claim to this classic rock sound as being partly his own. Perhaps more importantly, he’s also one of a few veteran rock singers who’s still capable of lending some decent vocal chops to most projects when called upon to do so. Just one listen to the Sunstorm albums confirms his place as one of the all-time greats, so the record label’s faith in his abilities – even at the age of 63 at the time of this band’s formation – is justified.
Category Archives: Album & EP Reviews
RANSOM AND THE SUBSET – No Time To Lose
Hailing from Seattle, Ransom and the Subset borrow from a variety of bands to create their musical canvas. Rather than sounding overtly plagiaristic, their debut release ‘No Time To Lose’ merely celebrates many different pop and rock styles, creating an eleven track musical journey that’s sure to connect with lovers of post nineties power pop at some place along the way. The fact that it borrows so heavily from classic influences is no surprise when taking into consideration that singer songwriter RanDair Porter has called upon Ducky Carlisle (The Major Labels) and Brian E. King (Oranjuly/Parks) to bring these songs to life. Neither producer/multi-instrumentalist is exactly shy of tapping into the past for key inspirations and King’s Oranjuly project, especially, proved a fantastic exercise in celebrating pop’s golden years, resulting perhaps even one of the finest one-album bands ever. All the studio help/arranging in the world would be of no use, of course, if the band weren’t up to scratch…
ST. JAMES & THE APOSTLES – Via Delarosa
On ‘Via Delarosa’, the third release from Philadelphian blues rockers St. James & The Apostles, their heavy guitar and organ driven sound ensures plenty of old style chops are at the forefront of almost everything, allowing listeners with a retro ear a chance to really let their hair down. In terms of grittiness, the analogue sound of this LP’s ten heavy rollers just couldn’t be improved: if you like music to have a live in the studio feel, then look no further…
ENGRAVED DISILLUSION – The Eternal Rest
Following the release of Engraved Disillusion’s 2011 release ‘Embers of Existence’, there were a few upheavals within the UK metalcore band’s ranks. Parting ways with vocalist Chris Pugsley and bassist Matt Thomas left the band at a potential loss – parting ways with band members is often hard, but to lose a vocalist can be extremely difficult – but some excellent new blood was eventually injected into Engraved Disillusion’s ranks with the addition of Matthew William Mead and Aaron Preston. These new members, as well as being more than up to the task of tackling the band’s older material, have very much helped a move forward with the inclusion of both throaty and clean vocals, giving the band a broader appeal than before. Also, having noted producer and musician Karl Groom (best known for his work with progressive metallers Threshold and neo-prog supergroup Shadowland) on board for their second release has boosted their profile, not to mention given ‘The Eternal Rest’ a superb sound.
THE 1957 TAIL-FIN FIASCO – Private Jet Flashback
Armed with an unhealthy obsession with Donald Fagen, an admiration for Todd Rundgren and a liking of Badfinger, Malcolm Moore and David Myers (aka The 1957 Tail-Fin Fiasco) set to work in their quest to create proper “pop music for grown-ups”. With all manner of invented characters and scenarios to share the British duo laboured hard, writing and recording at various locations into the small hours in an attempt to bring results that tipped the hat to their myriad heroes in a most appropriate manner. Unleashed to an unsuspecting world at the beginning of 2013, their first release ‘Private Jet Flashback’ is a sophisticated work comprising of seven glossy pop/rock ditties. The results are almost guaranteed to thrill those with a retro ear, a liking of an off-kilter lyric and – perhaps most importantly of all – a craving for tunes that have the kind of love and care afforded to those Steely Dan and 10cc records of yesteryear.