MAGNUM – Live At KK’s Steel Mill

In January 2024, much loved British rockers Magnum released their twenty third studio album ‘Here Comes The Rain’. The record captured a typical sound for the veteran band, but mixed the huge pomp sounds of later releases like ‘The Serpent Rings’ with more of the commercial AOR elements of their late 80s work, making it feel a little more well rounded than some of the latter day Magnum releases. The record, although hugely enjoyable, was surrounded by sadness: just a few days before release, founding guitarist and songwriter Tony Clarkin passed away, effectively making ‘Rain’ a poignant swansong.

The deluxe edition of the album was packaged with a full length live DVD – ‘Live At KK’s Steel Mill’ – featuring what was to be Clarkin’s final gig with the band. Fans, naturally, loved this show, but many hoped for an audio release to fill out their already extensive collections. In January 2025, they would get their wish.

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GRETCHEN SHAE & THE MIDDLE EIGHT – Inside A Dream EP

Gretchen Shae & The Middle Eight’s ‘Exit Fire’ EP from 2022 introduced listeners to a band with an impressive amount of punch. That release’s best material mixed the slightly punkier aspects of Justine And The Unclean with a bass heavy undercurrent that drew more from a classic post-punk/retro alt-rock sound. What was abundantly clear, though, was that Gretchen knew her way around a catchy hook, with ‘Unnatural Love’ and ‘Red Light Green Light’ (in particular) flaunting choruses that were a match for any similar sounding acts from yesteryear.

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GET THE FUCK OUTTA DODGE – Just Keep Looking Forward EP

Get The Fuck Outta Dodge’s third full length album ‘It’s Not Our Fault Your Boyfriend’s Stupid’ marked a step forward for the garage punk duo. Recorded with Arctic Monkeys engineer Alan Smyth and released in 2022, the material presented a warmer, fuller sound, making the Dodge boys sound a little more professional but without taking away too much of their rawness. Their 2024 EP ‘Just Keep Looking Forward’, somewhat ironically, doesn’t really maintain that progress or forward motion, but instead opts for going further back to their roots, with the best of the recordings sounding more like vintage Dodge circa 2020. This isn’t necessarily a bad thing.

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LITTLE ALBERT – The Road Not Taken

At the point where the Covid-19 pandemic was about to smother the world, Albert Piccolo – masquerading as blues musician Little Albert – released the genuinely excellent ‘Swamp King’. Since it featured some superb power trio based sounds with influences from Gary Moore, Jimi Hendrix and Robin Trower, the album genuinely represented the kind of thing that most blues/rock enthusiasts would love, but from a promotional perspective, the timing couldn’t have been worse. With much bigger things at stake, at least socially, it became one of the year’s many “lost” recordings in many ways.

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