As the 1990s dawned and Iron Maiden entered their second decade as recording artists, their eighth studio album presented the band’s first real misfire. Sure, 1981’s ‘Killers’ may have used of a lot of leftover material but it had a lot of heart, but ‘No Prayer For The Dying’ (released in October 1990) is the first Maiden release that could be considered bad. Maybe that’s harsh. To put it another way: it is one of those albums which sounds solid enough at first, but dig a little deeper and repeated listens show it to be generally unremarkable. And obviously, compared to Maiden’s previous heights – following a decade where the band could barely put a foot wrong – that’s not so good. Since its predecessor ‘Seventh Son of a Seventh Son’ offered especially memorable material in ‘Infinite Dreams’, ‘Can I Play With Madness’ and ‘The Evil That Men Do’, it didn’t seem like too much of a leap of faith to expect ‘No Prayer…’ to deliver a similar standard of goods, but most of the album sounds genuinely flat by comparison with any of its forebears.
Category Archives: Album & EP Reviews
CATTLE – Nature’s Champion
Cattle’s debut EP was a short and sharp burst of angular noise rock that really stood out among the many great releases of 2013. With such a forthright approach, their musical arrangements were truly impressive, but best of all was the overriding bass sound, which came with so much overdrive it made JJ Burnel’s efforts sound small and made the Melvins more grinding affairs seem non-committal. Not long after that EP, various band members returned to their co-existing noise-rock outfit Super Luxury…and it seemed that Cattle might have been just a one-off experiment. But what an experiment it was!
IAN HUNTER & THE RANT BAND – Fingers Crossed
Following the first run of Mott The Hoople reunion shows in 2009, Ian Hunter took time out to write new material. The Hoople gigs seemed to energise the legendary singer songwriter, as 2012’s ‘When I’m President’ (recorded with The Rant Band) contained some of his best material for some time. From the catchy pop-rock of the title track – complete with trademark tongue in cheek lyric – to the thoughtful ‘Black Tears’, the straight up rock of ‘Fatally Flawed’ and the brilliant 70s throwback and Hoople inspired ‘Comfortable (Flying Scotsman)’, the album was – and still is – a superb record. An album worthy of filing next to his 1975 solo debut and the much-loved ‘You’re Never Alone With a Schizophrenic’.
WESLEY FULLER – Melvista EP
This debut EP from Wesley Fuller is gloriously retro. Almost everything about it – from the 70s musical influences to the garish 80s artwork and Fuller’s own fashion sense – has at least one foot in the dirt of the past. The Aussie singer songwriter so loves retro synths and glam rock stomps, bubblegum choruses and power pop guitars and while his work rarely displays the kind of perfection you’d find from, say, Mike Viola or the vastly underrated David Myhr, ‘Melvista’ presents five tracks of guitar oriented pop that should appeal to those whom reach for Pezband and Off Broadway (USA) records on a semi-regular basis.
ASCENT – Don’t Stop When You Walk Through The Hell
Female fronted death metal bands are an interesting phenomenon. For years, the extreme metal subgenre was pretty much exclusively a male domain, but after Angela Gossow joined Arch Enemy and gained worldwide renown for growls that could match the very best, it appeared to shift the tide, with many other bands set to follow suit. From Landmine Marathon featuring the amazing Grace Perry, to Sweden’s 6th Awakening, through Poland’s Enter Chaos and beyond, the rising profile of women within death metal became worldwide and, obviously, is something to be applauded. On their 2016 long player ‘Don’t Stop When You Walk Through The Hell’, Russian death practitioners Ascent prove more than capable of going toe-to-toe with some of the genre’s finest.