The King’s Parade perfected their craft on a cruise ship. They were arrested for busking in Leicester Square. They’ve been given recognition by the city’s resident buffoon/sometime mayor, Boris Johnson…but frankly, don’t let any of that put you off, since the good far outweighs the bad here.
Category Archives: Album & EP Reviews
JET BLACK SEA – Absorption Lines
When a musician is both prolific and open to lots of influences, they’ll end up with lots of musical ideas that don’t quite fit their regular outlet. Such is the case for multi-instrumentalist Adrian Jones. Whilst working on the Nine Stones Close album ‘One Eye On The Sunrise’, he and studio engineer/multi-instrumentalist Michel Simons recorded various pieces of music of a more laid-back and ambient nature. Rather more rooted within electronica and the darker worlds of Massive Attack than rock, the musical ideas were eventually released as an album, ‘The Path of Least Existence‘ credited to Jet Black Sea in 2013. With Jones returning to Nine Stones Close almost immediately afterwards and their ‘Leaves‘ album featuring some very dark and anguished material, it seemed like Jet Black Sea was merely a temporary outlet. A brilliant outlet, but not necessarily an ongoing fixture in the 9SC family tree. However, three years after their first Sea voyage, Jones and Simons re-entered the studio.
SALVATION JAYNE – Moves That Make The Record Skip EP
They’ve built a loyal following on the live circuit and have put in some hard yards at festivals. They can count ex-Clash drummer Nicky “Topper” Headon and sometime AC/DC tub-thumper Chris Slade among their fans. However, in the grand scheme of things, UK rockers Salvation Jayne aren’t so well known at the time of their EP release ‘Moves That Make The Record Skip’. This probably says something about the huge amount of music we now have at our disposal rather than the band’s actual talent, since had this EP been released back in the early 90s when The Black Crowes and Kiss of The Gypsy were making waves, you certainly would’ve heard Tommy Vance and Fluff Freeman talking about these guys on a Friday and Saturday night in radioland.
FERRIS AND SYLVESTER – The Yellow Line EP
Having made waves on the underground UK folk scene and gained positive press claiming them “exquisite songwriters”, the arrival of Ferris and Sylvester’s recorded debut is cause for celebration. ‘The Yellow Line’ might only feature four songs, but each one shows off just enough subtle differences to be a great showcase for the duo’s talents. Between Archie Sylvester’s guitar work – often heavy on Americana styles, but also making time for a little blues and a teeny smidgeon of rockabilly – and Issy Ferris’s full but also soft, almost ghostly vocal tones, the performers are a perfect match for each other. Their songwriting gifts, too, have a near timeless appeal, weaving narratives that should appeal to ninety percent of an Americana loving audience.
THE WHITE SWAN – The White EP
Towards the end of 2016, Canadian doom merchants The White Swan unleashed their debut EP. Although just offering the discerning riff-junkie just three tracks, on ‘Anubis’, Mercedes Lander and her crew of heavyweight sludge lovers proved that quality always wins out over quality. Between the band’s own ‘Blood’ – a perfect fusion of heaviness and an odd, treacly psychedelia – and the heaviest version of Wings’ ‘Jet’ ever – hearing is believing – the release was an instant classic. Several months on, their eagerly awaited follow up doesn’t so much pick up where the previous tracks left off, but tries its utmost to smash the previous efforts into smithereens [in this case, meaning a thousand pieces; at no point do The White Swan attempt to put their heaviest stamp upon anything written by Pat DiNizio, but it might be a fun idea…]