ALAN WHITE – Ramshackled

Taking some well earned time between band projects in 1975, the five members of the then current Yes embarked on solo ventures. As you’d expect, each release had elements which tipped the hat towards the mothership – especially strongly in the case of Chris Squire’s excellent ‘Fish Out of Water’ – but the freedom of writing alone and working with other musicians also brought a fresh angle. When heard as a whole volume of work, those five albums – Squire’s ‘Fish…’, Jon Anderson’s fanciful ‘Olias of Sunhillow’, Steve Howe’s underrated ‘Beginnings’, Patrick Moraz’s ‘I’ and Alan White’s ‘Ramshackled’ – make for an interesting listen. In some ways, the finest elements from each can be cobbled together to make a great Yes album that never was.

Predictably, the releases from Anderson, Squire and Howe all achieved UK success upon release, charting at #8, #25 and #22, respectively. Moraz’s rather complex ‘I’ has gained cult status over the passing decades, but White’s sole venture has often been considered the runt of the litter.

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LAEL SUMMER / THE LAEL PROJECT – Do What You Want, Be Who You Are / Make You Whole (Remix)

Appealing to pop performers, jazz musicians, and even a section of the melodic rock crowd, the music of Daryl Hall & John Oates is incredibly enduring. In talented hands, their work takes on new life, often sounding like something written for the performer in question.

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THE CANDY SNATCHERS – Good Riddance / Round Up

On their self titled record from 1996, The Candy Snatchers ripped their way through sixteen high octane tracks in a little over half an hour, setting a brilliant punky blueprint that would suit the band going forward. With tunes like ‘Yeah You’ and ‘Haunted Road’ playing like an unholy hybrid of the Misfits and Electric Frankenstein, and ‘Sauced Again’ tapping into some even more razor sharp rock ‘n’ roll, the band immediately set themselves in place as a force to be reckoned with.

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LUNISON – Fakepink

Lunison’s debut EP ‘See Me As A Friend’ – released in 2024 – presented five tracks where a rock sound was twisted into some very interesting shapes. Its key cuts showed how varied the band could be: ‘Name 3 Songs’ managed to open with a riff that mixed garage rock and an almost post-grunge dirtiness, only to turn that on its head with a huge, melodic chorus full of ringing guitars sounding like a throwback to a great Gin Blossoms tune; ‘Smile, Cruel World’ borrowed from a couple of The Black Keys’ more groove-centric numbers, but added a more melodic vocal, again, calling back to a world of 90s pop-rock sounds, and ‘Velcro’ introduced a reverbed, 50s guitar twang in places, which set against a pumping bass and harmony vocals ended up sounding like a funky take on something from Arctic Monkeys ‘AM’.

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Watch: Beauty In Chaos share “almost acoustic” version of ‘Made Of Rain’

Back in 2024, Beauty In Chaos released ‘Made of Rain’, a brilliant single featuring Ashton Nyte that blended the melodic air of 80s goth with a slightly heavier chorus. A year on, the number has been reworked in an “almost acoustic” format, and it is absolutely gorgeous.

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