SAXON – Wheels Of Steel

Released in November 1979, Saxon’s self titled debut LP was not the commercial success everyone had hoped for. Perhaps part of the blame could be levelled at Carrere Records – primarily a French disco label – not having the greatest experience of promoting a rock band. Maybe the problem lay with the album itself: while a hugely entertaining listen – especially from an historical viewpoint – it’s somewhat mixed in style. Tracks like ‘Stallions of the Highway’ and ‘Backs To The Wall’ point the way towards the brand of no nonsense metal Saxon would make their trademark, but others like ‘Frozen Rainbow’ have a footing much closer to a1970s almost past, a place where atmosphere and pomp outweighed sheer bluster.

In those days, of course, bands weren’t dumped on the scrap heap by their record labels after a flop, and in Saxon’s case – and ultimately Carrere’s too, since the likes of Ottawan weren’t going to be around forever – it’s a good job. Decamping to Wales, the band set about writing their second album; the record that would change their fortunes and the face of 80s metal forever… ‘Wheels of Steel’.

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RAM-PAGE – The Grave Of Seven Billion

Formed in 2010, it was less than a year before Russian metallers Ram-Page found themselves in the studio with enough money and support to record their debut album. The resultant LP, ‘The Keeper of Time’ gained enough attention for the band to actually shoot a couple of promotional videos before heading back into the studio to record a second album, eventually released in April 2012. With a similar whirlwind approach, a third release appeared the following year. In metal terms, it seemed these guys were following a similar breakneck approach to working as their 80s thrash and NWOBHM heroes.

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SHELTER – First Stop

For a legion of AOR fans, Joe Lamont’s 1985 LP ‘Secrets You Keep’ is heralded as a classic. A solid melodic rock affair, the album featured contributions from Vinnie Colaiuta and future Giant men Dann Huff and Alan Pasqua. It’d taken vocalist Joe Lamont a few years to break through; as Joe Lament, he recorded a soft rock album with Steeplechase in 1981 (a brilliant but now hard to find gem), before jumping ship and joining melodic rock/AOR band Shelter the following year. Signed to major label Polydor, Shelter only recorded the one album, but 1983’s ‘First Stop’ is a vinyl era rock classic.

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LOUIS W. – Songs From The Truck EP

Louis Waxman is a Brooklyn based musician, sometime member of bands The Mayberries and Future Heart. His 2018 solo EP ‘Songs From The Truck’, as its title suggests, has an “of the moment” feel; a naturalistic set of sounds that would be a great soundtrack for a road trip. Mixing indie pop, electronica and funk it’s a bit of a mixed bag, but like similarly retro Norwegians Mats Wawa, there’s something in his sound that has the ability to lift the listeners’ spirits in just about…thirty seconds.
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THE GET UP KIDS – Kicker EP

Following the release of their 2011 LP ‘There Are Rules’, pop punk band The Get Up Kids found that real life got in the way of art. Instead of continuing the never-ending cycle of recording and touring, band members took time out to raise families. Seven years is a long time in music – in any scene – but especially so when it comes to punk. One day you’re singing about skateboards and girls, then you’re in an adult world and somehow – unless you’re Joe Queer – those things that occupied teen and twenty something minds just don’t seem appropriate any more. Hell, on their self-titled album and ‘Neighbourhoods’ even blink-182 attempted to look at the world through maturer eyeballs. Some people didn’t like it…but at least they showed they could move on.

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