THE WORLD WITHOUT US – Incarnate

Although only together for around eighteen months at the close of 2019, Pennsylvania’s The World Without Us have gigged intensively and already shared a stage with the mighty Soulfly. It takes some bands years to gain that kind of attention, but one listen to their ‘Incarnate’ EP is pretty much all you’ll need to be convinced that these guys are one hell of a metal band.

Taking huge swathes of metalcore, a pinch of prog-metal and a couple of other influences, this EP is a giant melting pot of riffs. Riffs big enough to take on the very best; something helped no end by a heavy production style that is streets ahead of so many bands’ first DIY releases.

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TYKETTO – Strength In Numbers Live

In the nineties, melodic rock was going through an interesting phase. People with narrow musical tastes tell you the “scene had been killed by grunge” (yes, that old chestnut – how boring AOR fans can be), but the fact is, with AOR and melodic rock being driven to independent labels, between 1993 and 1999 the scene actually produced some of its best music since 1989. Labels like Now & Then released unmissable discs by Crown of Thorns, Cannata, Ten and Shotgun Symphony; Long Island gave the world the second – and best – Heartland album, and further out on the fringes, labels like Z Records, Megarock and Empire some great albums too, including releases by Mark Spiro, Snakes In Paradise and Jekyll & Hyde. Regardless of what some people might claim, the scene was far from dead…it had just migrated.

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MAGNUM – Magnum II

Magnum’s debut album ‘Kingdom of Madness’ had a long and somewhat difficult birth. An album had been completed by the end of 1976, but for reasons best known to themselves, the Jet Records label sat on the tapes. Magnum continued to write new material and gig constantly, and subsequently, the album was given an overhaul. A few older tracks were sidelined for newer songs and a rejigged long-player eventually appeared on record shop shelves in August 1978. This possibly didn’t help the album’s fortunes in the short term; instead of being released at a time when the record’s prog and pomp styles were still in vogue, Magnum were left with a fantasy themed album drifting in the unsure waters of punk and new wave bands. It only scraped the UK album chart’s top 60.

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NAUT – Semele EP

A five piece “dark rock” band from Bristol, Naut mix classic hard rock and gothic sounds to create music that sounds very retro, but still retains plenty of punch. Their debut EP ‘Raise The Lights’ gained positive press in 2018 and the follow up, ‘Semele’ finds the band continuing along their chosen musical path where swathes of 80s goth music collide with bits of 90s rock and a pinch of post-punk cool. It only features three songs, but each one is genuinely brilliant – and each one really builds upon the band’s love for all things moody.

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THE LAST REIGN – Prelude EP

The Last Reign’s overall style and approach to metal is unmistakably Scandinavian. Taking hefty cues from Soilwork and In Flames, their sound has a constant push and pull between the pneumatic and aggressive sounds of hardcore metal while still clinging on to various melodic approaches that flaunt a shameless love of the past. Their second release, ‘Prelude’ is a stop-gap, but its three songs go a long way to showing off a superb band – one that really should be on the radar of almost all fans of Scandinavian metal sounds.

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