BLACKLAB – Abyss

BlackLab’s debut album ‘Under The Strawberry Moon’ was devastatingly heavy. With an under-produced and over-driven sound, the Japanese duo truly raised the bar in terms of fuzzy stoner riffs. The album didn’t reach a wide audience upon its first release, but a restructured and remixed version (released via the UK’s New Heavy Sounds label in 2018) went some way to giving the band an audience outside of their home country and received some really enthusiastic press.

Naturally, their minimalist set up of drums, guitars, vocals and three thousand distortion pedals never really allowed for a broad musical palate, so their sophomore disc ‘Abyss’ offers much more of the same, but if Blacklab appealed to you before, more of the same is exactly what you’d hope for… If anything is a little different, you might even say BlackLab have become even heavier and more intense, as ‘Abyss’ is a genuine skull-crusher.

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TRAVEL LANES – On

In 2015, Philadelphia’s Travel Lanes released ‘Let’s Begin To Start Again’, a hit and miss album that mixed a few pop and power pop influences with several rootsier John Mellencamp, John Hiatt and Connells styled moods. A few wobbly vocals let the side down from time to time, but there were a few decent tracks to be found within. Five years down the road, their third album only offers eight tracks in a very succinct twenty nine minutes, but its concise approach very much suits the band. Compared to previous Travel Lanes works, ‘On’ is far more consistent in terms of quality.

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NICK PIUNTI & THE COMPLICATED MEN – Downtime

Sometimes you hear new songs that sound like old songs…”, says Nick Piunti of ‘Downtime’, making no secret of the retro qualities that provide the heart of his 2020 release. It’s ten songs draw influence from a very broad selection of power pop and radio friendly alt-pop tunes from the 90s, serving up a selection of songs that easily feel like a visit from an old musical friend and could even awaken a few old memories along the way.

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THE WATCHERS – High And Alive EP

Following two enjoyable studio releases, San Francisco stoner rock band The Watchers give fans a genuine treat with their third release. ‘High And Alive’ shows the band in their natural environment, in front of an enthusiastic crowd. With four tracks recorded at The House of Rock, the EP shows how much better this band sounds without the constraints of a studio and with some extra volume applied.

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JUDIE TZUKE – Road Noise: The Official Bootleg

From an historical perspective, Judie Tzuke’s ‘Road Noise: The Official Bootleg’ is an interesting proposition. At the time of its original release in 1982, the double live album format had been dominated by rock bands – it was rare that a contemporary pop artist or singer songwriter would bother with such a release. Also, its extended format had almost become yesterdays news. In a musical landscape populated by synth pop bands and the birth of the New Romantics, the 7” single had once again become king, much as it had been in the early to mid sixties. The decision for Tzuke to release a double platter of live material in the Autumn of ’82 certainly went against the grain.

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