Author Archives: Real Gone

REAL GONE GOES OUT: Wheatus – Brighton Centre, Brighton, East Sussex 14/2/2025

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Back in the year 2000, it was hard to avoid Wheatus. The rock-pop band’s song ‘Teenage Dirtbag’ was a hit on a massive scale. Not just in the UK; it also hit the top three of the singles chart in Ireland, Germany, Australia, Switzerland and Belgium and Austria. In three of those countries, it even reached the coveted top spot. Its peak of #7 on the US Billboard Hot 100 seems almost conservative by comparison, but the band’s career certainly began with a bang. A cover of Erasure’s ‘A Little Respect’ was also a hit and a debut album was well received, but as far as many people are concerned, Wheatus subsequently disappeared and are best remembered as a flash in the pan success, much like Deep Blue Something a few years earlier.

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THE REAL GONE SINGLES BAR #91

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the previous few weeks. This selection takes in a couple of familiar acts – a massively cult Australian band, and someone making yet another return to the SB. As usual, the selection of tunes also explores a few slightly less familiar avenues. You’ll discover a slice of jazzy, downbeat singer songwriter fare, something with a strong soul bias, and even a new offering from a cult post punk act. As with the best previous Singles Bars, we’ve given no bias towards any particular genre, and feel that this particular selection really highlights how much good music has started to emerge now that 2025 is properly underway. Enjoy!

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KELSEY MICHAEL – Lethowsow

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With its sweeping piano lines and jazzy bass, ‘Gry Maritha’ – the opening track from Kelsey Michael’s debut long player ‘Lethowsow’ – channels material from Joni Mitchell’s ‘Court & Spark’ and ‘Hissing of Summer Lawns’ period, but with the help of a swooning melody and vocal choir, it quickly takes on more of its own identity. Michael’s rich vocal joins a really great sounding tune, and although her voice is used very much carries the melody (as you’d expect), it never dominates the track as a whole. The song’s middle section gives way to some brilliant harp work capturing a dream-like quality, and an unexpected coda finds the band launching into a jazzier groove where the piano and bass come together in a way sounds like a welcome throwback to a McCoy Tyner recording. It’s at this point the listener could become aware of experiencing something rather special.

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BIG CANYON – Big Canyon

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On their debut release, ‘Horizon’, British rockers Big Canyon delivered some absolutely massive riffs. Often sounding like a much bigger, warmer version of Tangier and Tattoo Rodeo, and akin to more recent, retro sounding hard rockers in line with Blackberry Smoke and Bad Touch (albeit with more of a bluesy edge), they couldn’t be faulted from a musical point of view. The lead guitar playing was especially impressive. A very retro, slightly scratchy vocal took a little adjustment, but with some strong material in hand, it was clear that, even at an early stage, Big Canyon were a band on the road to potentially better things.

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