REAL GONE GOES OUT: The New Pornographers – Shepherds Bush Empire, London 2/12/2014

On November 21st, London’s Shepherd’s Bush Empire played host to arguably one of the best and most energetic gigs of 2014 when various forty-somethings said goodbye to their youths and goodbye to Carter USM at the first of their two farewell shows.  Barely a week and a half later, the atmosphere in the venue couldn’t be any further removed from that particular gig, when – on a particularly cold Tuesday night – a sparser crowd gather to see Canadian music collective The New Pornographers promoting their sixth release ‘Brill Bruisers’ with support from the relatively unknown Mini Mansions.

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PINEAL – Smiling Cult EP

pinealPutting it bluntly, Pineal aren’t exactly shy with regard to their core influences on this release.  Although their recording budget occasionally shows a few limitations, this London-based trio really love Alice In Chains. Their stock riffs are never a straight up reconstruction of the AIC sound, though, since most of the heavier elements are more of a doom-rock persuasion, much slower in pace than AIC at their most sludgy…and certainly much heavier in many respects.  Any Alice In Chains homages are due to Daniel Murney‘s vocal style which – in more than a few places – really taps into Layne Staley’s trademark spooked out, nasal croon.

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The REAL GONE 2014 Advent Calendar

We don’t know about you, but here at Real Gone Towers there’s a feeling that this year has disappeared far, far too quickly.
It’s December already and that can mean only one thing: it’s time for our countdown to xmas!

For the next three (and a bit) weeks, we’ll be bringing you a selection of hopefully entertaining clips in the build up to the big event. A new clip will be added each day, so don’t forget to keep checking back!

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MIDNIGHT PLAYLIST – Built To Break EP

MPBTBLondon’s Midnight Playlist are a four piece alternative pop-rock/pop-punk band, who bring a strong sense of good times and youthful spirit on their debut EP ‘Built To Break’.  There’s a real energy present from the very beginning of the opening track: a door slams, voices chatter, an amplifier buzzes…and with that, the quartet burst into life. That opener ‘A Year In Hell’ mixes pop-punk guitar chords and an alternative rock spirit, like a DIY collision between early Sum 41 and Don Broco; it’s a performance on which drummer Atish really excels.  Twin guitars chug and thrash in classic punk-pop style – even making room for a couple of lead flourishes – while lead vocalist Aaron cries each line with confidence, all the while happy to let his natural accent through, despite the attempts of a few vocal filters to make his voice sound more generic to the musical style.  You’ll have heard this sort of thing a thousand times before, but there’s an energy and tightness here – even obvious despite the limited recording budget – that makes this tune very enjoyable all round.

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