When Steve Hackett left Genesis at the end of the ‘Wind & Wuthering’ tour in 1977, for some of the more dyed-in-the-wool prog fans, that signified too much of a potential change waiting in the wings. The fact that the three-man band of Phil Collins (drums/vocals), Mike Rutherford (guitars/bass) and Tony Banks sounded more commercial upon their return and even scored a genuine hit single with a pop ballad marked the end for some. For those, supper had gone cold. For the fans Genesis lost at this time, their new, more commercial sound gained new fans in droves and although the band became far less prolific – partly due to all three members embarking on extra-curricular recording – it marked the beginning of a very commercially successful decade.
Author Archives: Real Gone
The first Genesis poll results + video gallery
Genesis were an essential part of the 70s prog scene. Along with Pink Floyd and King Crimson, their early catalogue is a complex one that, decades after its original release, just keeps giving. Their albums released between 1969-76, covering their most progressive tendencies are albums whereby it’s almost possible to hear something new, some subtle touch lurking in the back of complex arrangements, whenever listening – the bits that really strike chord changing, dependent on mood and surroundings.
B.B. KING: September 16, 1925 – May 14, 2015
Legendary blues musician BB King passed away on May 14th 2015 at the age of 89.
When it comes to the blues, fewer names are more famous. Across a career spanning over seven decades, Mr Riley B King became a legend, a key figure in reshaping the blues from its Delta roots into the full scale electric sound with which it has endured musical fashions.
CALAIS – Silhouette EP
HEYROCCO – Teenage Movie Soundtrack
Formed in South Carolina, Heyrocco are a three-piece band that brings various slacker rock elements and light grunge alive on their debut release ‘Teenage Movie Soundtrack’. Comprising just nine songs, the album is structured in a way that ensures the tunes fly past in a breezy, carefree manner; the arrangements may have a sloppiness in places – a defiantly distorted edge to the guitars and a few of the vocals are inherently wobbly – but it’s a disc that appears filler-free. Provided, that is, you like their chosen style.
