Beach For Tiger are a newly formed psych-pop band from London. They’ve just released their first single ‘Coco’, a great psych-dream pop hybrid, which you can hear in full below.
It’s early days for the band, but hopefully you’ll hear even more from them soon.
Aside from Slayer’s Tom Araya, there aren’t so many Chilean musicians who reach the ears of those farther afield, but for those who still hold 90s sounds very dear, alternative rock outfit Maff are definitely going to put South America’s long, skinny backbone on the musical map.
US alt-rockers Plastic Rhino mean business on their second release ‘Recondition’, as they celebrate a trashy hard rock sound with a nineties slant. Bringing back riffs from a (mostly) pre-grunge world, there’s a retro quality, though surprisingly, given the potentially disposable feel of some of the material, there’s a defiant steering away from the more obvious glam roots. Each track is loaded with a tough riff and often a strongly suitable melody, but those riffs are rarely pivotal in making Plastic Rhino’s material hit with a sizable punch, it’s never really Jack Glazer’s guitar playing that leaves an indelible mark. His playing is rhythmically solid without any hint of flashiness, for it doesn’t need an overt flair; the winning factor throughout these seven songs is frontwoman Atara Gottschalk (ex-Luxx), a performer who approaches each performance with consummate ease, whether called upon for something gritty, slightly unnerving or a more obvious rock wail.
UK indie rockers Get Inuit have a new EP ‘Luge Lessons’ out on October 16th. In the meantime, you can check out the videos for the new single ‘Electricity’ and previous single ‘I Am The Hot Air’ below.
Nottingham rockers Stormbringer worked hard to promote their debut album ‘MMXIII’ with a slew of gigs, including appearances at the renowned Bloodstock and Download festivals. At the point where they were really gaining momentum, vocalist Mike Stockley moved on. His replacement, Jimi Brown was an instantly good fit with the band, his voice – occasionally sounding like the Whitfield Crane of Ugly Kid Joe tackling something more in the classic rock mould – is suitably powerful enough to make his presence felt over Stormbringer’s monster riffs. …And if it’s riffs you came for, then – even with an important change in band personnel to contend with – ‘Blood & Rust’ really should not disappoint.