THE SHACKS – The Shacks EP

the-shacksIn the summer of 2016, singer-songwriter Max Shrager released ‘Thoughts of You‘, a solo collection of lo-fi tracks written and recorded over a six year period. As if experiencing M.Ward and Tobin Sprout through an old AM radio, the songs weren’t always the easiest to get into or even the most melodic, but there was something about Shrager’s approach that had a curious appeal.

As one half of duo The Shacks, Shrager continues along a gentle and almost vertiginous path, but given the luxury of a proper recording budget, his musical preferences are warmer and more inviting. Not only that, but having Shannon Wise handle the band’s vocals is a step towards a sound that’s better still. Wise has a presence: it’s not the style of your average singer whom allows a forceful voice to take command of the material in hand, but rather the opposite. By using her tones in a hushed and minimalist fashion, she constantly draws in the listener, in a way that so often accentuates the quirkier aspects of the music.

Continue reading →

CONCEIVED BY HATE – Death & Beyond

cbhlpBy the beginning of the 1990s, Sepultura had put Brazil firmly on the metal map. While their audience grew significantly with the release of their third full length album ‘Beneath The Remains’ in 1989, it positively exploded with 1991’s ‘Arise’. That album was not only the very pinnacle of the music the then young band had sought to create, but also one of the best thrash releases of the era. Decades on, Seputura’s influence can be heard running through the hearts of many underground Central and South American metal bands – most notably Harvest. Whereas many have sought to emulate the raw thrash of ‘Beneath The Remains’, El Salvador’s Conceived By Hate look farther back, still. On parts of their second full-length LP they cull a definite influence from the Seps’ ‘Bestial Devastation’ and ‘Morbid Visions’ releases, which mixed with their own ideas, crafts an unholy sound that blends extreme thrash and death metal with superb musical results.

Continue reading →

DEATH METAL POPE – Harvest EP

harvest-epDespite their chosen name, Death Metal Pope aren’t a death metal band. Some of their vocal choices are towards the extreme in places and there are occasions where the riffs step into the fast and intense sphere of extreme metal but, for the bulk of their material, these three Long Islanders love it slow and heavy. At least three quarter’s of 2016’s ‘Harvest’ is a stoner metal fan’s dream.  They mightn’t score many points for originality, especially since the clean end of the vocal more than resembles Phil Anselmo in places and the music is very Down-centric, but, make no mistake, the results come close to stoner perfection.

Continue reading →

TAKE TURNS – Crytomnesia Crept

take-turns-lpOn the 2014 EP ‘Animal Fat‘, Take Turns recycled many parts of 90s alt-rock and grunge, serving up cheeky nostalgia by the dustcart load, leaving behind a half dozen Pavement-esque gold sounds guaranteed to please listeners hitting those tricky forties at the time of release. The Leeds slackers brought back youth and exuberance aplenty, showed they could wield a guitar and distortion pedal with the best of ’em, but above all – and this being very much the clincher – never sounded lazy when doing so. The love for those whom influenced Take Turns cut through almost every note, making the release seem as if constructed from more than just dusty hand-me-downs

Continue reading →

GÉVAUDAN – Litost

gevaudan-litostWith bands like Kurokuma and Allfather making some very heavy waves, the underground doom scene in the UK found itself in a very healthy state moving into the close of 2016, perhaps more properous than it had been in a long while. There seemed to be new doom and sludge bands oozing through the woodwork on a weekly basis, but since the fashion for slow and heavy never gets old, the ever expanding scene had more than enough room to accommodate…and, this, obviously could only be a good thing.

Continue reading →