THE REAL GONE SINGLES BAR #111

We’ve reached the halfway point of 2025, and the digital singles still keep coming! There are a couple of familiar names appearing in this visit to the Singles Bar, but with a mix of genres and the help of a really inspiring cover tune, this selection continues our streak of great submissions. Alongside a country singer reviving a tune that deserves to find a new audience, we’ve got the debut track from a new rock band from Belfast, a semi acoustic piece from an interesting solo venture, a strong throwback to 70s pop-rock, and more besides. As always, we hope you find something new to enjoy.

*

Continue reading

CHARLIE NIELAND – The Ocean Understands EP

He might not be a genuine household name, but Charlie Nieland has had a busy career. He’s written material with Rufus Wainwright, Scissor Sisters and Blondie, and produced a number of albums for some lesser known indie rock bands, but – familiar name or not – one look at his extensive credits on Discogs shows him to be a man in demand.

‘The Ocean Understands’, a four track EP released in June 2025, puts Nieland even more in the spotlight. The solo recording finds him playing a variety of instruments (everything except the drums, and a featured guitar on one track), as well as handling all vocals. The material really showcases someone with a broad array of talents, even at times where his own songwriting mightn’t aim for that immediate hit.

Continue reading

Watch: Orchid Symmetry share new video for ‘Like The Sun’

Formed just before almost the entire world went into a pandemic related lockdown, Orchid Symmetry have released a steady stream of digital singles and a couple of EPs since 2020. The best of the singles, 2022’s ‘Monsters and Demons’ eschewed most of the band’s heavier tendencies in favour of an ominous sounding riff that reworked alternative sounds from the 60s for a contemporary hard rock crowd. Parts of the melody sounded if they were distantly related to ‘House of The Rising Sun’, whilst other elements conveyed the all round moodiness of The Doors and the strange paranoia at the heart of Love’s ‘Forever Changes’. Despite taking various older elements and throwing them into a blender, a very natural vocal and occasionally abrasive guitar tone provided a more contemporary sound and also a very strong link with prior Orchid Symmetry tunes.

Continue reading

THE REAL GONE SINGLES BAR SUMMER SPECIAL 2025

During the first half of 2025, our weekly Singles Bar feature went from strength to strength. The daily submissions piled up, and in keeping with the second half of ’24, no matter how many great tracks we highlighted, there always seemed to be a few that slipped through the cracks. This Summer Special shines a light on some of the greatest tunes and more interesting bands that didn’t make the cut. These shouldn’t be considered leftovers, though – everything here is of a hugely high standard. We’ve got blues, country, metal, a couple of interesting twists on a pop sound, a couple of off kilter indie bands…and far more besides. Grab yourselves a cuppa and turn up the volume: these twenty selections are all worth hearing in their own right, and when experienced together, act as a reminder of why our Singles Bar has become one of Real Gone’s most popular features.

*

Continue reading

THE ROCKERATI – Black Book EP

During the first half of 2025, The Rockerati made their mark on the rock underground with the help of two excellent singles. The first, ‘Analogue Again’ set a great pub rock sound in place; loaded with solid riffs and a melodic edge that called back to the likes of Rockpile, it showed how the Brighton based act valued great influences more than they valued the notion of perceived “coolness”. That school of thought went into overdrive when the band dropped a bunch of Quo-esque riffs into the great ‘Big Dog’; with a bigger sound in place, the track demonstrated how tough The Rockerati could sound with an increase of both power and volume, and how solid playing will often trump originality.

Continue reading