By opening with a blusterous rhythm, Emi Pop’s ‘No Puedo Dormir’ is a track that immediately grabs the listener’s attention. The sharply delivered drums and bass set up a great punky rhythm during the intro, but the number is actually far more melodic than first impressions suggest.
Author Archives: Real Gone
THE REAL GONE SINGLES BAR #91
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the previous few weeks. This selection takes in a couple of familiar acts – a massively cult Australian band, and someone making yet another return to the SB. As usual, the selection of tunes also explores a few slightly less familiar avenues. You’ll discover a slice of jazzy, downbeat singer songwriter fare, something with a strong soul bias, and even a new offering from a cult post punk act. As with the best previous Singles Bars, we’ve given no bias towards any particular genre, and feel that this particular selection really highlights how much good music has started to emerge now that 2025 is properly underway. Enjoy!
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KELSEY MICHAEL – Lethowsow
With its sweeping piano lines and jazzy bass, ‘Gry Maritha’ – the opening track from Kelsey Michael’s debut long player ‘Lethowsow’ – channels material from Joni Mitchell’s ‘Court & Spark’ and ‘Hissing of Summer Lawns’ period, but with the help of a swooning melody and vocal choir, it quickly takes on more of its own identity. Michael’s rich vocal joins a really great sounding tune, and although her voice is used very much carries the melody (as you’d expect), it never dominates the track as a whole. The song’s middle section gives way to some brilliant harp work capturing a dream-like quality, and an unexpected coda finds the band launching into a jazzier groove where the piano and bass come together in a way sounds like a welcome throwback to a McCoy Tyner recording. It’s at this point the listener could become aware of experiencing something rather special.
BIG CANYON – Big Canyon
On their debut release, ‘Horizon’, British rockers Big Canyon delivered some absolutely massive riffs. Often sounding like a much bigger, warmer version of Tangier and Tattoo Rodeo, and akin to more recent, retro sounding hard rockers in line with Blackberry Smoke and Bad Touch (albeit with more of a bluesy edge), they couldn’t be faulted from a musical point of view. The lead guitar playing was especially impressive. A very retro, slightly scratchy vocal took a little adjustment, but with some strong material in hand, it was clear that, even at an early stage, Big Canyon were a band on the road to potentially better things.
STONE DISCIPLE – Stoner Thrash EP
‘Stoner Thrash’ by Stone Disciple is one of those releases that, to use an old phrase, does exactly what it says on the tin. The guitar tones used throughout are pure stoner; the speed of the material, less so. Attacking like a harder edged Fu Manchu colliding with a riffy, speed loving Sabbath clone, this EP’s songs cover all the important stoner bases, and yet convey an energy that feels pleasingly fresh at the time of release.