Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the past few weeks. This selection is another genuinely mixed bag, sharing – amongst other things – a country track, a dance number, a perfect homage to 90s shoegaze, and a tune from an up and coming rock band featuring a huge vocal. As always, we hope you find something new to enjoy.
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In a pre-pandemic age, False Gods released a two track EP ‘The Serpent and The Ladder’, a twelve minute musical assault that blended industrial and hardcore influences with a pinch of sludge and black metal, improving upon their earlier work. Via a couple more digital singles and their eagerly awaited full length ‘No Symmetry…Only Disillusion’ (released between 2020 and 2023), the band cemented the feeling that their often uncompromising sound had enough power to take on many of the scene’s most intense bands.
Following tours with post rock band God Is An Astronaut and Wardruna, sound designer and musician Jo Quail is preparing to release her seventh album on 12th September. Prior to its release, a digital single ‘Rex’ has been shared, and its the ultimate slow burner.
On a pair of albums released in 2022 and 2023, The Gypsy Moths served up a very melodic brand of rock pop, with a strong leaning towards influences from jangly 60s sounds and late 70s power pop. Their 2025 EP release ‘Five By Five From Four’ finds the band sticking firmly to what they know, but with a couple of huge choruses found en route and some very natural melodies playing to a very retro crowd, it becomes obvious that taking a familiar path is a wise move.
In a world filled with great music and with new rock bands appearing on the scene weekly, chances are, you’ve not heard of Sleazy Money…yet. The British rock band have been making inroads into a career on a run of hard rock singles beginning with 2024’s ‘Problem Since Day 1’, a track which very much laid down the Sleazy Money blueprint with a barrage of tough riffs borrowing the energy of the New Wave of British Heavy Metal with the all round sleaziness of the US glam scene from 1987. In just four minutes, it was immediately clear that the marriage between Connor Palmer’s tough vocals and Joe Florence’s incendiary guitar riffs provided a solid union, and with the presence of a really tight rhythm section, the band were capable of whipping up some seriously old school melodic metal thrills.