There’s going to be new, original music from downcast soon, but in the meantime, the Bristolian emo crew have put their own stamp on a familiar piece of pop to get their fans in the mood.
They’ve just shared an absolutely storming cover of the Backstreet Boys hit ‘Just Wanted You To Know’, which was originally a UK top ten hit for the US boy band in 2005.
This visit to the Real Gone Singles Bar sees the return of three familiar names, but their current tunes find the musicians sounding as good as ever. There’s always a pleasure in watching artists you admire grow, but in the case of singer songwriter Roisin McCarney, the Scottish singer shares one of her most mature sounding tracks to date. In terms of newer names, you’ll find a genre-bending act from Margate sharing an absolute banger, a couple of underground singer-songwriters, and even a perfectly pitched piece of early 60s inspired, guitar laden pop from Australia. As always, it’s been an absolute pleasure to pick the best singles for sharing, and we hope you find something new to enjoy.
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On a pair of earlier singles, US punkers Fire Sale demonstrated a perfect blend of power and melody. By channelling the skate punk aspects of early No Use For A Name and the melodic elements of The Ataris, their material shared an instantly classic sound which seemed tailor made for lovers of 90s punk. Their contributions to this split EP with the mighty Pulley – one of the 90s more underrated melodic punk acts – are very much in the same vein, but this only suggests that Fire Sale are the kind of band that genre fans can take to heart without fear of disappointment.
When you’re working within a tight four minute “single” format, can you afford a slow build up via a gradual fade-in? Irish band Myriad Things seem to think so, and their current track ‘Sanctuary’ has already clocked up forty seconds before anything really kicks in.
On their 2022 long player ‘Bitter Soul’, Finnish metallers Highway Queen very much flew the flag for a traditional approach. The album’s eight songs drew influence from a mid 80s Iron Maiden, with galloping riffs and twin lead guitars, from Michael Schenker via a very European sense of bombast, and a couple of Scandinavian hard rock rock acts from more recent times, which certainly helped their shamelessly old fashioned sound retain a pleasing sense of melody. Against their often familiar sounding riffs, vocalist Virpi Kääriäinen shared a strong vocal, and despite sometimes sounding a little buried within the band’s studio arrangements – at least on the faster numbers, the Whitesnake-esque title cut allowed for more clarity – it was obvious she had the kind of talent that would carry itself well in the live setting.