Montana’s Minot shared new tracks on Bandcamp at regular intervals throughout 2025. Eventually compiled as the ‘And You’re Not’ album, the self proclaimed “lo-fi garage punk muffins” served up something that often sounded like buried treasure from the US garage rock scene thirty five years previously. This, of course, was a good thing.
The name Clone might not seem instantly familiar, but this Brooklyn-based post punk act comes with an interesting DNA. Frontman LG Galleon has previously released works with Dead Leaf Echo, Gregg Giufree (not to be confused with Angel legend Gregg Giuffria!) has links with Pilot To Gunner, and the Clone live act includes some extra power courtesy of Namesake’s Paul Liziragga and Alex Cox of The Veldt (the shoegaze legends who finally saw their shelved 1989 debut recording receive enthusiastic press upon its official release in 2024). This musical gathering also attracted the attention of producer Martin Bisi, whose CV includes albums by Sonic Youth, John Zorn, Swans, and…Herbie Hancock.
In the year leading up to this album’s release, guitarist Gary Arce kept himself more than busy. With the other members of Yawning Man, he released a third album of improvised material with Yawning Balch, two albums of fantastic material under the name SoftSun with Superlynx’s Pia Isaaksen, and also worked with Big Scenic Nowhere, a doomy stoner band which also featured Yawning Man’s Bill Stinson and Fu Manchu/Yawning Balch guitarist Bob Balch.
Regardless of his many activities, for most, it’ll be his associations with desert rock band Yawning Man that spring to mind first, despite their output being rather sporadic. The band’s eighth studio record ‘Pavement Ends’ finds Arce in great musical form, and following 2023’s ‘Long Walk of The Navajo’ takes a welcome step back towards shorter and more accessible arrangements.
In August 2025, Ophelia’s Eye made a grand statement with ‘Enter The Arena’. The track presented the ultimate in heaviness, without moving into extreme territory. The opening riffs blended top notch metalcore with a pinch of groove, which made the band sound like Lamb of God with sharper edges. The body of the track blended pneumatic rhythms with a heavy downtune, taking a metalcore sound into even heavier and darker realms, and while the vocals appeared abrasive, they were never impenetrable.
On a pair of singles issued in 2024, Keep This Up shared a strong blend of melodic post-hardcore with more than a hint of emo. On ‘Blossom’, in particular, the way the band fused speed driven angst with vocals that sounded if they were either on the verge of tears or exploding under the weight of pent up fury owed as much to the mid 00’s as the present.