Ukraine’s Cosmic Jaguar conjure some amazing riffs on their 2023 EP ‘The Order of The Jaguar Knights’. The four songs mix classic thrash – played at the high octane speeds set by bands like Exciter and Exodus in the early 80s – with lop-sided prog metal breakdowns, and the bulk of the music is joined by abrasive vocals that appear not to fit squarely with either genre. What this means, of course, is that Cosmic Jaguar are capable of summoning a hefty sound throughout.
Author Archives: Real Gone
THE REAL GONE SINGLES BAR #42
Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. This time out, we’ve got a goth tinged number from a band making their debut; a really busy workout from a Northern Irish alt-rock act, and another debut from a very retro sounding, much noisier band. For those less enamoured by rock, this week’s SB also includes a couple of top notch singer songwriters who we really hope will become favourites over time. Dive in…and enjoy!
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GOAT MAJOR – Ritual
During the dying days of 2023, Welsh stoner/doom band Goat Major made some huge musical waves with their debut EP ‘Evil Eye’. Although its three tracks didn’t really set out to offer genre fans anything especially new, it was clear these lads had a massive set of talents, and clearly understood that taking a well liked style and reworking it flawlessly would be, in many ways, more beneficial than adding new twists and somehow missing the mark. Whichever way you approached it, the EP sounded superb. The riffs were incredibly weighty, the filtered vocal added a Sabbathy ‘Planet Caravan’-esque strangeness, and the rhythm section sounded like a truck. In DIY terms, ‘Evil Eye’ was absolutely peak stoner/doom – a download not to be missed, and a release that set up enormous hopes for an equally good follow up.
Listen: ‘Secret Diary’ – A previously unreleased recording from Autoheart
Despite being 100% DIY, US alt-pop band Autoheart have become a cult sensation thanks to social media. Their albums mix indie, pop, piano ballads, nods to synth based material and disco in a concoction that, according to their own press, makes them hard to categorise.
CRUZH – The Jungle Revolution
Few bands have managed to take such a giant leap in terms of quality between their first and second records as Swedish rockers Cruzh. Their 2016 album showed promise in terms of its (admittedly unfashionable) AOR-centric songs, but on that record, they sounded like an entire product of the studio. The guitars were smooth and the vocals subjected to so much post-production, they barely sounded human. In short, the material had no real bite. Their second record ‘Tropical Thunder’ – issued by Frontiers Records five years later – was a great improvement. The songs, still indebted to the Danger Danger debut and equally 80s-tastic material by Alien, came with a big heart, but more importantly, seemed to breathe far more naturally. Despite still being overproduced, the 2021 Cruzh had seemingly learnt the value of a more rock derived vocal, and some of the material shared great guitar work, suggesting that this band actually had the potential to become a decent melodic rock act. Granted, they’d still have to go a fair way to beat fellow Swedes Lionville and Streetlight in terms of sheer quality, but ‘Tropical Thunder’ was certainly a huge step in the right direction…