Lunison’s debut EP ‘See Me As A Friend’ presented five tracks where a rock core sound was twisted into some very interesting shapes. ‘Name Three Songs’ managed to open with a riff that mixed garage rock and an almost post-grunge dirtiness, only to turn that on its head with a huge, melodic chorus full of ringing guitars sounding like a throwback to a great Gin Blossoms tune; ‘Smile, Cruel World’ borrowed from a couple of The Black Keys’ more groove-centric numbers, but added a more melodic vocal, again, calling back to a world of 90s pop-rock sounds, and ‘Velcro’ introduced a reverbed, 50s guitar twang in places, which set against a pumping bass and harmony vocals ended up sounding like a funky take on something from Arctic Monkeys ‘AM’.
Monthly Archives: June 2025
Real Gone Presents: A Boston Round-Up, June 2025
Over the previous couple of months, the submissions for the popular Real Gone Singles Bar have been more than plentiful. It’s actually got to the point where we’re getting so much good stuff, it’s been almost impossible to keep on top of it all. When compiling a recent column, it came to our attention that we’d had a huge amount of submissions from Boston based bands. Since we were massive fans of albums produced by Paul Q. Kolderie & Sean Slade at Fort Apache back in the 90s and, in more recent times, our site has received regular support from a few Boston based bands, PR companies, labels – including the sadly missed Red On Red Records – it seemed to make sense to take some of these great tracks and highlight them in a feature of their own. The Singles Bar will continue as normal, of course…but this bunch of tracks, shared as a selection in its own right, features some great material. Please join us in giving a hearty shout out to a great city with a thriving music scene… As always, we hope you find something new to enjoy!
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MAX RAEL – Slightly Less Than Human / When The Only Winning Move Is Not To Play
Max Rael’s debut single ‘Brighter Future’ pushed the alternative envelope by applying spoken word passages to bleak sounding synth backdrops, creating an almost dystopian musical landscape. The number’s darker side was effectively offset by the History of Guns man offering listeners a positive lyric, where he suggested we can look to the past and learn from mistakes to forge a brighter future. Issued at a time when the world seemed incredibly negative with seemingly little escape from a political turmoil, Rael’s optimism – no matter how obtusely applied – offered fans of less mainstream music a small beacon of hope.
REAL GONE GOES OUT: Supergrass – Dreamland, Margate, Kent 20/6/2025
It’s just before 9pm. Attracting one of the biggest crowds ever seen for a support slot at Dreamland, Jake Bugg has just delivered a fantastic set, and the venue’s DJ has just traded in the 90s bangers for a JJ Cale track. The subsequent arrival of ‘Whipping Post’ by The Allman Brothers Band lends the feeling that this is at the request of Supergrass mainman Gaz Coombes, keen to build a more retro atmosphere before his band takes the stage.
At 9pm sharp, the Allmans get cut off in their prime; the stage is bathed in red light and Sweet’s classic ‘Blockbuster’ provides a rousing intro tape for the arrival of four figures who are about to whip the audience into a frenzy. Or at least that’s the theory.
Fall Sound Archive Vol. 10: Middle Class Revolt
In some ways, The Fall’s 1994 release, ‘Middle Class Revolt’ has spent most of its life living in the shadow of its immediate predecessor, ‘The Infotainment Scan’. With the help of a rather spirited cover of ‘Lost In Music’, ‘Infotainment’ found its way into the consciousness of the more casual listener and, as a whole, the album showcased a more commercial sounding Fall at somewhere near their best. In retrospect, ‘Middle Class Revolt’ has actually aged just as well, and a few of the record’s deeper cuts provide a really interesting listen.
The 2025 super deluxe release from Cherry Red Records, wisely, takes a tried and tested approach when it comes to re-presenting the album with a wealth of interesting period extras. Mirroring the ‘Infotainment’ box set, the vastly expanded ‘Revolt’ greets the fans as a six disc tome, with the original long player joined by a disc of studio based extras and a generous four disc helping of sounding live material drawn from different sources.
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